tag:blogger.com,1999:blog-7326704102107119612024-03-22T06:03:59.284-07:00The Invisible LibraryA regularly updated catalog of books that exist only within other books–a Borgesian invisible library.Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.comBlogger23125tag:blogger.com,1999:blog-732670410210711961.post-39323429316204604162008-08-17T10:26:00.000-07:002020-01-03T10:22:31.837-08:00A<span style="font-weight: bold;">ABENDSEN</span>, Hawthorn: <a href="http://www.philipkdickfans.com/forums/read.php?f=3&i=427&t=427"><span style="font-style: italic;">The Grasshopper Lies Heavy</span></a><br />
<span style="font-size: 85%;">—from Philip K. Dick's <span style="font-style: italic;">The Man in the High Castle</span></span><span style="font-weight: bold;"><br /><br />ALHAZRED</span>, Abdul (the "Mad Arab"): <span style="font-style: italic;">Necronomicon</span><br />
<span style="font-size: 85%;">—from H.P. Lovecraft's "The Hound," "The Call of Cthulhu," "The Haunter of the Dark," et al.</span><span style="font-weight: bold;"><br /></span><br />
<span style="font-weight: bold;"><br class="Apple-interchange-newline" />ALVOR</span>, Theophilus: <i>Ode to Antares</i><br />
<span class="Apple-style-span" style="font-size: x-small;">—from Clark Ashton Smith's "The Monster of the Prophecy"</span><br />
<div>
<span style="font-weight: bold;"><br class="Apple-interchange-newline" />ANNISON, Bobbi Jo </span>(writing as Sister Marie Elena): <span style="font-style: italic;">The Loving Heart</span><br />
<span style="font-size: 14px;">—from John D. MacDonald's <span style="font-style: italic;">The Green Ripper</span></span><br />
<span style="font-weight: bold;"><br /></span><span style="font-weight: bold;">ANONYMOUS</span>:<span style="font-weight: bold;"> </span><i>Blood and Fire</i>, <i>The Death of Dragons</i><br />
<span style="font-size: 14px;"><span style="font-style: italic;"></span></span><br />
<span style="font-size: 14px;">—from George R. R. Martin's <i>A Dance with Dragons</i></span><br />
<span style="font-size: 14px;"><i><br /></i></span></div>
<span style="font-weight: bold;"></span>
<span style="font-weight: bold;">ANONYMOUS</span>: <span style="font-style: italic;">Butterflies You Ought to Know Better</span><br />
<span style="font-size: 85%;">—from John B. L. Goodwin's "The Cocoon"</span><br />
<b><br /></b>
<b>ANONYMOUS</b>:<br />
<blockquote>
<cite>The Celestial Home Care Omnibus</cite><br />
<cite>Fifty-Three More Things to Do in Zero Gravity</cite><br />
<cite>The Encyclopedia Galactica</cite></blockquote>
<span style="font-size: 14px;">—from <a href="http://en.wikipedia.org/wiki/Douglas_adams">Douglas Adams</a>'s <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780345453747"><cite>The Hitchhiker's Guide to the Galaxy</cite></a></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-size: 14px;"><span style="font-style: italic;"></span></span>
<span style="font-weight: bold;"></span>
<span style="font-weight: bold;">ANONYMOUS</span>: <i>The History of Fish</i><br />
<span style="font-size: 85%;">—from window display, <a href="http://www.citarella.com/about_us.asp">Citarella</a>, Broadway at 75th Street, summer 2008</span><br />
<br />
<span style="font-weight: bold;">ANONYMOUS</span>: <span style="font-style: italic;">How to Make Friends</span><br />
<span style="font-size: 85%;">—from Seonna Hong's <span style="font-style: italic;">Animus</span></span><br />
<br />
<span style="font-weight: bold;">ANONYMOUS</span>: <span style="font-style: italic;">I Robbed the Mob!</span> (Though uncredited, the authors are Tricia Heverstadt, Lawrence Block, and Donald E. Westlake.)<br />
<span style="font-size: 85%;">-from Charles Ardai's <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780843959680"><span style="font-style: italic;">Fifty-to-One</span></a></span><br />
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<span style="font-weight: bold;">ANONYMOUS</span>: <span style="font-style: italic;">The King in Yellow</span><br />
<span style="font-size: 85%;">—from Robert W. Chambers's <span style="font-style: italic;">The King in Yellow</span></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">ANONYMOUS</span>: <i>The </i><span style="font-style: italic;">Seven Golden Keys</span><br />
<span style="font-size: 14px;">—from Lev Grossman's <span style="font-style: italic;">The Magician King</span></span><br />
<span style="font-size: 14px;"><span style="font-style: italic;"><br /></span></span>
<span style="font-weight: bold;">ANONYMOUS</span>: <cite>Upstate Houses and Their Histories</cite><span style="font-size: 85%;">—from <a href="http://crowleycrow.livejournal.com/">John Crowley</a>'s </span><span style="font-size: 85%; font-style: italic;"><a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780061120053">Little, Big</a></span><span style="font-size: 85%; font-style: italic;"><br /></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">ANONYMOUS</span>: <span style="font-style: italic;">U-Write-It</span><br />
<span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAMoEpppLPduUcKo84h2bKja5aRu16Z6xK-snyEzMVemUMz1TGh1Df3x7EjzDz0St_AIECq6tvGOaLAhVe4Z031asrHU7OdvIEF2YkOEcrnUZgoUTnQZtOMyZ6DMXmG3IMlIwC1312n_I/s1600-h/expetit-white-bookcase.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5239027868673994034" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAMoEpppLPduUcKo84h2bKja5aRu16Z6xK-snyEzMVemUMz1TGh1Df3x7EjzDz0St_AIECq6tvGOaLAhVe4Z031asrHU7OdvIEF2YkOEcrnUZgoUTnQZtOMyZ6DMXmG3IMlIwC1312n_I/s400/expetit-white-bookcase.jpg" style="cursor: pointer; float: left; margin: 0pt 10px 10px 0pt;" /></a><br />
<br />
<br />
<br />
<b>ANSKY</b>, Boris Abramovich: <br />
<blockquote>
<cite>Landauer</cite><br />
<cite>Reflections on the Death of Evgenia Bosch</cite></blockquote>
<span style="font-size: 85%;">—from <a href="http://en.wikipedia.org/wiki/Roberto_Bolano">Roberto Bolano</a>'s <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780374100148"><cite>2666</cite></a></span><br />
<br />
<br />
<br />
<b>ARCHIMBALDI</b>, Benno von:<br />
<blockquote>
<cite>Bifurcaria Bifurcata</cite><br />
<cite>The Berlin Underworld</cite><br />
<cite>Bitzius</cite><br />
<cite>The Blind Woman</cite><br />
<cite>D'Arsonval</cite><br />
<cite>The Endless Rose</cite><br />
<cite>The Garden</cite><br />
<cite>Inheritance</cite><br />
<cite>The King of the Forest</cite><br />
<cite>Lethaea</cite><br />
<cite>The Leather Mask</cite><br />
<cite>The Lottery Man</cite><br />
<cite>Mitzi's Treasure</cite><br />
<cite>Railroad Perfection</cite><br />
<cite>The Return</cite><br />
<cite>Rivers of Europe</cite><br />
<cite>Saint Thomas</cite><br />
<span style="font-size: 85%;">—from Roberto Bolano's </span><span style="font-size: 85%; font-style: italic;">2666</span></blockquote>
<span style="font-weight: bold;">ARGO</span>, Angela: <span style="font-style: italic;">Eggs</span><br />
<span style="font-size: 85%;"><span style="font-size: 100%;"><span style="font-size: 85%;">—from Francine Prose's <span style="font-style: italic;">Blue Angel</span></span></span></span><span style="font-weight: bold;"><br /></span><br />
<span style="font-size: 85%;"><span style="font-size: 100%;"><span style="font-size: 85%;"><span style="font-style: italic;"><br /></span></span></span></span>
<span style="font-weight: bold;">ASSAD</span>, Wadi: <span style="font-style: italic;">The Barefoot Rose</span>, <span style="font-style: italic;">The Heart-Shaped Moment</span><br />
<span style="font-size: 85%;">—from Cleo Birdwell's <a href="http://perival.com/delillo/amazons_dj_copy.html"><span style="font-style: italic;">Amazons</span></a></span><br />
<br />
<span style="font-weight: bold;">AWDREY-GORE</span>, D.: <span style="font-style: italic;">The Toastrack Enigma</span>, <span style="font-style: italic;">The Blancmange Tragedy</span>, <span style="font-style: italic;">The Postcard Mystery</span><br />
<span style="font-size: 85%;">—from Edward Gorey's </span><span style="font-size: 85%; font-style: italic;">The Awdrey-Gore Legacy</span><br />
<span style="font-size: 85%; font-style: italic;"><br /></span>
<span style="font-weight: bold;">AVENDAÑO</span>, Rafael: <i>La gorilla verde </i>(<i>The Verdant Shore), Sobre las mujeres y sus vrtures </i>(<i>Pn Women and Their Virtues</i>)<i>, La carne de Huasos </i>(<i>The Meat of Huasos), Cabeza, corazón, hígado (HEad, Heart, Lover), La indiferencia del gobierno </i>(<span style="font-style: italic;">The Indifference of Government</span><span style="font-style: italic;">), <i>Nubes oscuras sobre Santaverde (Dark Clouds over Santaverde</i>), <i>El Mapocho negro</i> (<i>The Black Mapocho</i>), <i>Fantasma de Pizzaro</i> (<i>Pizarro's Ghost</i>); <i>Below, Behind, Beneath: Being an Account of the Circumstance of My Torture and Transformation</i></span><br />
<span style="font-size: 13.600000381469727px;">—from John Hornor Jacobl's <i>A Lush and Seething Hell: Two Tales of Cosmic Horror</i></span>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com43tag:blogger.com,1999:blog-732670410210711961.post-25377540832166542262008-08-17T10:23:00.000-07:002019-11-11T16:40:12.241-08:00B<b>BAINBRIDGE</b>, Mary: <span style="font-style: italic;">Winter Swan</span><span style="font-size: 85%;"><br /><span class="Apple-style-span" style="font-size: x-small;">—from Lisa Goldstein's "Reader's Guide"</span></span><br />
<b><br /></b>
<b>BALTIMORE<span class="Apple-style-span" style="font-weight: normal;">, Hall: <i>Witch Hunter</i>; <i>The Vampire Executions</i> ("from an idea by Bobby LaGrange")</span></b><br />
<b><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: x-small;">—from Francis Ford Coppola's film </span><i><a href="http://www.youtube.com/watch?v=xP7cQnOcU7I&feature=relmfu"><span class="Apple-style-span" style="font-size: x-small;">Twixt</span></a></i></span></b><br />
<b><span class="Apple-style-span" style="font-weight: normal;"><br /></span>BANDINI</b>, Arturo: “The Little Dog Laughed,” “The Long Lost Hills<span style="font-style: italic;">,” </span>untitled novel ("the story of Vera Rivkin")<br />
<span style="font-size: 85%;">—from John Fante's <span style="font-style: italic;">Ask the Dust</span></span><br />
<b><br />BANE</b>, Joseph Cameron:<br />
<blockquote>
<span style="font-style: italic;">Cabot's House</span><br />
<span style="font-style: italic;">Lips That Could Kiss</span><br />
<span style="font-style: italic;">Ruthpen Hallburton</span><br />
<span style="font-style: italic;">The Wind at Morning</span><br />
"others, others"<br />
<br />
<span style="font-size: 85%;">—from Lawrence Block's "With a Smile for the Ending," in </span><span style="font-size: 85%; font-style: italic;">Enough Rope</span></blockquote>
<span style="font-weight: bold;">BANION</span>, Gerry: <span style="font-style: italic;">Sageknights of Darkhorn</span><br />
<span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist</span></span><br />
<br />
<div>
<div>
<span style="font-weight: bold;">BANKS,</span> Rosie M.: <i>Mervyn Keene, Clubman; Only a Factory Girl; 'Twas Once in May</i><span style="font-style: italic;"><br /></span><span style="font-size: 14px;">—from P. G. Wodehouse, <i>Eggs, Beans and Crumpets</i></span></div>
<div>
<span style="font-size: 14px;"><i><br /></i></span></div>
<span style="font-weight: bold;">BARBECUE-SMITH</span>, Mr.: <span style="font-style: italic;">Pipe-Lines to the Infinite</span><br />
<span style="font-size: 85%;">—from Aldous Huxley's <span style="font-style: italic;">Crome Yellow</span></span><br />
<br />
<b>BARR</b>, Frank Walker:<br />
<blockquote>
<cite>Mythos and Tyrannos</cite><br />
<cite>Time's Body</cite><br />
<br />
<span style="font-size: 85%;">—from <a href="http://crowleycrow.livejournal.com/">John Crowley</a>'s <a href="http://en.wikipedia.org/wiki/Aegypt"><cite>Aegypt</cite> cycle</a></span></blockquote>
<span style="font-weight: bold;">BARTH</span>, Septon:<span style="font-weight: bold;"> </span><i style="font-weight: normal;">Dragons, Wyrms, and Wyvern: Their Unnatural History</i><br />
<span style="font-size: 14px; font-weight: normal;">—from George R. R. Martin's <i>A Dance with Dragons</i></span><br />
<span style="font-weight: bold;"><span style="font-size: 14px; font-weight: normal;"><i><br /></i></span></span>
<span style="font-weight: bold;">BASSETT</span>, Clarence: <span style="font-style: italic;">The Bassett Family</span><br />
<span style="font-size: 85%;">—from Ross Macdonald's </span><span style="font-size: 85%; font-style: italic;">The Barbarous Coast</span><br />
<br />
<span style="font-weight: bold;">BEAMISH</span>, Alan: <span style="font-style: italic;">A Pox on the Box: Memoirs of a Disillusioned Broadcaster </span>(Cape, 1993)<br />
<span style="font-size: 85%;">—from Jonathan Coe's <span style="font-style: italic;">The Winshaw Legacy</span></span><br />
<div style="font-size: medium;">
<span style="font-size: 85%;"><span style="font-weight: bold;"><br /></span></span>
<span style="font-size: 85%;"><span style="font-weight: bold;">BELDECAR</span>:<i> </i><span style="font-style: italic;">History of the Rhoynish Wars</span><br /><span style="font-size: 14px;">—from George R. R. Martin's <span style="font-style: italic;">A Storm of Swords</span></span></span></div>
<div>
<span style="font-size: 85%;"><span style="font-style: italic;"><span style="font-size: 14px;"><span style="font-style: italic;"><br /></span></span></span></span></div>
<span style="font-weight: bold;">BELZNER</span>, Zalman: <span style="font-style: italic;">Beyond the Pale</span>, <span style="font-style: italic;">Yeshiva Bokher</span><br />
<span style="font-size: 85%;">—from Joseph Epstein's "Beyond the Pale"</span><br />
<br />
<b>BENDRIX</b>, Maurice:<br />
<blockquote>
<cite>The Ambitious Host</cite><br />
<cite>The Crowned Image</cite><br />
<cite>The Grave on the Water-Front</cite><br />
<br />
<span style="font-size: 85%;">—from Graham Greene's <cite>The End of the Affair</cite></span></blockquote>
<span style="font-weight: bold;">BENJAMIN</span>, Walter: <i>Challah-caust</i><br />
<span style="font-size: 85%;"><span style="font-size: x-small;">—from Dustin Long's <i>Bad</i></span><i style="font-size: 13.600000381469727px;"> Teeth</i></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">BIEDELMAN</span>, Roz: <span style="font-style: italic;">Trampled Ivy</span><br />
<span style="font-size: 85%;">—from Heidi Julavits's <span style="font-style: italic;">The Uses of Enchantment</span></span><br />
<br />
<div>
<span style="font-weight: bold;">BLAIR</span>, Alan: <span style="font-style: italic;">I Pity I</span><br />
<span style="font-size: 14px;">—from Jonathan Ames's <span style="font-style: italic;">Wake Up, Sir!</span></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">BLAKE,</span> Lilith: <span style="font-style: italic;">The Reunion and Others</span>; <i>The White Hands and Other Tales</i> (Unpublished: MS Collection)</div>
<div>
<span style="font-size: 14px;">—from Mark Samuels's "The White Hands" </span><br />
<div>
<span style="font-size: 14px;"><span style="font-style: italic;"><br /></span></span></div>
<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: 14px;"></span></span><span style="font-weight: bold;">BLAKE</span>, Royden: "The Necklace of Malvio d'Alfi," "The Wreck of the S.S. Lorelei," "The King of the Trojans," "The Lost Girdle of Venus"<br />
<span style="font-size: 85%;">—from John Cheever's "A Miscellany of Characters That Will Not Appear"</span><br />
<br />
<span style="font-weight: bold;">BODWIN,</span> Stultitia: <span style="font-style: italic;">Offal</span><br />
<span style="font-size: 85%;">—from P.G. Wodehouse's "Best Seller," in <span style="font-style: italic;">Mulliner Nights</span></span><br />
<br />
<span style="font-weight: bold;">BOTHWAYS</span>, Fallopia: <span style="font-style: italic;">Procurer to the King</span><br />
<span style="font-size: 85%;">—from Russell Hoban's <span style="font-style: italic;">Turtle Diary</span></span><br />
<br />
<span style="font-weight: bold;">BOWDEN</span>, Daniel: <span style="font-style: italic;">Between the City and the City</span><br />
<span style="font-size: 85%;">—from China Mieville's <span style="font-style: italic;">The City & the City</span></span><br />
<br />
<b>BOXED PARROT</b>: <span style="font-style: italic;">Green Under Closed Lids</span><br />
<span style="font-size: 85%;">—from Carrie Olivia Adams's <span style="font-style: italic;">Intervening Absence</span></span><br />
<br />
<span style="font-weight: bold;">BRADLEY, Nick</span>: <span style="font-style: italic;">China, Cross the Bay</span><br />
<span style="font-size: 85%;">—from the Nicholas Ray film <span style="font-style: italic;">Born to Be Bad</span></span><br />
<br />
<span style="font-weight: bold;">BRAEBURN</span>, P.P.: "Saturn in October," in <span style="font-style: italic;">nebulous 5</span><br />
<span style="font-size: 85%;">—from Chris Ware's <span style="font-style: italic;">Acme Novelty Library </span>(Vol. 19)</span><br />
<br />
<b>BRANBORN</b>, Michael: <i>Impossible Tribes</i><span style="font-size: 13px;"><br />—from David Gordon's <i>The Serialist</i></span><br />
<span style="font-size: 13px;"><br /></span>
<span style="font-weight: bold;">BRAUN</span>, Barbara: <span style="font-style: italic;">When Lilacs Last</span> (memoir)<br />
<span style="font-size: 85%;">—from Vladimir Nabokov's unpublished "review" of his memoir </span><span style="font-size: 85%; font-style: italic;">Speak, Memory</span><span style="font-size: 100%;"><br /></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">BRODY</span>, Joe: <span style="font-style: italic;">The Barbecued God: Death of a Yorkshireman</span><br />
<span style="font-size: 85%;">—from James Hynes's </span><span style="font-size: 85%; font-style: italic;">Publish and Perish</span><br />
<span style="font-size: 100%;"><span style="font-weight: bold;"><br /></span></span>
<span style="font-size: 100%;"><span style="font-weight: bold;">BROE, </span>F.N.:<span style="font-weight: bold;"> </span><span style="font-style: italic;">Etchings</span><span style="font-weight: bold;"><br /></span><span class="Apple-style-span" style="font-size: x-small;">—from Harry Stephen Keeler's </span><span style="font-style: italic;"><span class="Apple-style-span" style="font-size: x-small;">Y. Cheung, Business Detective</span></span><span style="font-weight: bold;"><span class="Apple-style-span" style="font-size: x-small;"><br /></span></span></span><span style="font-size: 85%; font-style: italic;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold;">BROGAN, Jimmy: </span><i>The Squad</i></span><br />
<span class="Apple-style-span" style="font-size: x-small;">—from </span><i><span class="Apple-style-span" style="font-size: x-small;">Brooklyn Nine-Nine</span></i><span class="Apple-style-span" style="font-size: x-small;">, season 1, </span><a href="http://www.hulu.com/watch/556979#i0,p7,d0"><span class="Apple-style-span" style="font-size: x-small;">episode 8</span></a><br />
<span style="font-size: 100%;"><span style="font-weight: bold;"><br /></span></span>
<span style="font-size: 100%;"><span style="font-weight: bold;">BROOKS</span>, Preston: </span><span style="font-size: 85%; font-style: italic;"><span style="font-size: 100%;">Kindness to Birds</span></span><span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist<br /><span style="font-size: 100%;"><br /></span></span><span style="font-weight: bold;"><span style="font-size: 100%;">BROWN</span></span><span style="font-size: 100%;">, W.K.: "The Seeing-Eye Dogs of Mars," in</span><span style="font-style: italic;"><span style="font-size: 100%;"> nebulous 5</span></span></span><span style="font-size: 85%;">—from Chris Ware's <span style="font-style: italic;">Acme Novelty Library </span>(Vol. 19)</span><br />
<span style="font-size: 85%;"><br /></span>
<span style="font-size: 85%;"><span style="font-size: 16px; font-weight: bold;">BUDDINGER, </span><span style="font-size: 16px;">Branson:</span><span style="font-size: 16px; font-weight: bold;"> </span><span style="font-size: 16px; font-style: italic;">A History of Old Derry </span><span style="font-size: 16px;">(Orono: University of Maine Press, 1950)</span><span style="font-size: 16px; font-weight: bold;"><br /></span><span style="font-size: 16px;">—from Stephen King's </span><span style="font-size: 16px; font-style: italic;">It</span></span></div>
</div>
Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com20tag:blogger.com,1999:blog-732670410210711961.post-36297069964612100422008-08-17T10:20:00.000-07:002019-05-14T20:28:50.062-07:00C<b>C.</b>, M.: <span style="font-style: italic;">Dr. Eleven</span>, Vol. 1, No. 1:<span style="font-style: italic;"> Station Eleven, Dr. Eleven</span>, Vol. 1, No 2: <i>The Pursuit</i><br />
<span style="font-size: 14px;">—from Emily St. John Mandel's <i>Station Eleven</i></span><br />
<span style="font-size: 14px;"><span style="font-style: italic;"><br /></span></span>
<b>CARTWRIGHT</b>, Jeffrey: <span style="font-style: italic;">Edwin Mullhouse: The Life and Death of an American Author (1943–1954)</span><br />
<span style="font-size: 85%;">—from Steven Millhauser's <span style="font-style: italic;">Edwin Mullhouse</span></span><b><br /></b><br />
<b><br /></b>
<b>CASE</b>, Justin:<i> From Caligari to Vlad</i><br />
<span style="font-size: 85%;">—from Robert Anton Wilson's <i>Schrodinger's Cat</i> trilogy</span><br />
<span style="font-size: 85%;"><br /></span>
<b>CASH</b>, Eli: <i>Old Custer</i><br />
<span style="font-size: 85%;">—from Wes Anderson's <i><a href="http://www.criterion.com/current/posts/2406-the-tenenbaums-and-co-in-print">The Royal Tenenbaums</a></i></span><br />
<span style="font-size: 85%;"><br /></span><b>CASIMIR</b>, Jozef:<i> The Life and Precepts of Jozef Casimir, the Wizard of Podolia, as Written by Himself</i><br />
<span style="font-size: 85%;">—from Russell H. Greenan's <span style="font-style: italic;">It Happened in Boston?</span></span><br />
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<span style="font-size: 85%;"></span><br />
<div style="font-size: medium;">
<b>CAULFIELD</b>, D. B.: <i>The Secret Goldfish</i></div>
<div style="font-size: medium;">
<span style="font-size: 85%;"><span style="font-size: 13.333333969116211px;">—from J. D. Salinger's <i>The Catcher in the Rye</i></span></span></div>
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<b>CHA</b>, Eun-ho: The Bloody Contract series<br />
<span class="Apple-style-span" style="font-size: x-small;">—from the TV series <i>Romance Is a Bonus Book</i></span><br />
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<br /></div>
<b>CHAMBERNAC</b>: <i>L'Encyclopédie des sciences inexactes</i> (a monumental work on "literary madmen")<br />
<span class="Apple-style-span" style="font-size: x-small;">—from Raymond Queneau's </span><i><span class="Apple-style-span" style="font-size: x-small;">Les Enfants du Limon</span></i><br />
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<em></em> <span style="font-weight: bold;">CHAMPERS</span>, Tal (Ph.D.): <em>Ernie and Bert in the Boardroom</em><br />
<span style="font-size: 85%;">—from <a href="http://ed-park.com/">Ed Park</a>'s <span style="font-style: italic;">Personal Days</span></span><br />
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<b>CHAPIN</b>, Nan: <i>Shelly and the Secret Universe</i><br />
<span class="Apple-style-span" style="font-size: x-small;">—from Wes Anderson's film </span><i><a href="http://insidemovies.ew.com/2012/06/07/moonrise-kingdom-animation/"><span class="Apple-style-span" style="font-size: x-small;">Moonrise Kingdom</span></a></i><br />
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<span style="font-weight: bold;">CHAPIN</span>, Paul:<br />
<blockquote>
<span style="font-style: italic;">Devil Take the Hindmost</span><br />
<span style="font-style: italic;">The Iron Heel</span></blockquote>
<span style="font-size: 85%;">—from Rex Stout's <span style="font-style: italic;">The League of Frightened Men</span></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">CHATWIN</span>, Rupert: <span style="font-style: italic;">The Door in the Page: My Life in Two Worlds </span>(unpublished; see Special Collections/MS Division)<br />
<span style="font-size: 13.333333969116211px;">—from Lev Grossman's <span style="font-style: italic;">The Magician's Land</span></span><br />
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"><br /></span></span>
<span style="font-weight: bold;">CHEATHAM</span>, Luke: <span style="font-style: italic;">No Moon Tonight</span><br />
<span style="font-size: 13.333333969116211px;">—from Rex Stout's <span style="font-style: italic;">The Mother Hunt</span></span><br />
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"><br /></span></span>
<b>CHUNG</b>, Jose: <i>From Outer Space</i><br />
<span style="font-size: 13.333333969116211px;">—from <i>The X-Files</i>, Season 3, Episode 20, "Jose Chung's <i>From Outer Space</i>"</span><br />
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"><br /></span></span>
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<b>CLARKE</b>, Isaac:<span style="font-style: italic;"> The Girl From Jupiter</span><br />
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"></span></span><br />
<div style="font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"><span class="Apple-style-span" style="font-size: x-small;">—from Wes Anderson's film </span><i><span class="Apple-style-span" style="font-size: x-small;"><a href="http://insidemovies.ew.com/2012/06/07/moonrise-kingdom-animation/">Moonrise Kingdom</a></span></i></span></span></div>
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<div>
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"><br /></span></span></div>
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</span></span>
<b>CLARKE</b>, St. John:<br />
<blockquote>
<cite>Dust Thou Art</cite><br />
<cite>E'en the Longest River</cite><br />
<cite>Fields of Amaranth</cite><br />
<cite>The Heart is Highland</cite><br />
<cite>Match me Such Marvel</cite><br />
<cite>Mimosa</cite><br />
<cite>Never to the Philistines</cite><br />
<span style="font-size: 85%;">—from Anthony Powell's <cite>A Dance to the Music of Time</cite></span></blockquote>
<span style="font-weight: bold;">CLIPLIP</span>, H.K. "Kid" (pseudonym for Chipdip K. Kill): <span style="font-style: italic;">Androgynoid</span><br />
—from <a href="http://www.ansible-editions.co.uk/authors/sladek-bib.htm">John Sladek</a>'s "<a href="http://thedizzies.blogspot.com/2007/08/post-1000.html">Solar Shoe-Salesman</a>"<br />
<br />
<span style="font-weight: bold;">CLAYTON</span>, Lance: <span style="font-style: italic;">Darwin's Pool</span>, <span style="font-style: italic;">The Speed of Bad News</span>, <span style="font-style: italic;">Invisible Dog's Teeth</span>, <span style="font-style: italic;">The Narcissist's Life Vest</span><br />
<span style="font-size: 85%;">—from Bobcat Goldthwait's <a href="http://www.imdb.com/title/tt1262981/"><span style="font-style: italic;">World's Greatest Dad</span></a></span><br />
<br />
<span style="font-weight: bold;">CLITHEROW</span>, John: <span style="font-style: italic;">Mr. Bluebird</span><br />
<span style="font-size: 85%;">—from Dean Koontz's <span style="font-style: italic;">Relentless</span></span><br />
<br />
<span style="font-weight: bold;">COGSWELL</span>, Frederic: "I Am the Symptom," in <span style="font-style: italic;">nebulous 5</span><br />
<span style="font-size: 85%;">—from Chris Ware's <span style="font-style: italic;">Acme Novelty Library </span>(Vol. 19)</span><br />
<br />
<span style="font-weight: bold;">CONRAD</span>, Udo: <span style="font-style: italic;">Memoirs of a Forgetful Man</span> ("and that other thing about the old conjuror who spirited himself away after his final performance")<br />
<span style="font-size: 85%;">—Vladimir Nabokov, <span style="font-style: italic;">Laughter in the Dark</span></span><span style="font-weight: bold;"><br /><br />CORNWALLACE</span>, William: "A Gentler Bomb," in <span style="font-style: italic;">nebulous 5</span><span style="font-size: 85%;">—from Chris Ware's <span style="font-style: italic;">Acme Novelty Library </span>(Vol. 19)</span><br />
<span style="font-weight: bold;"><br />COSCAT</span>, Marcel: <span style="font-style: italic;">Les Robinsonades</span><br />
<span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
<br />
<span style="font-weight: bold;">COSGROVE</span>, Kenneth: "Tapping a Maple on a Cold Vermont Morning," <span style="font-style: italic;">The Atlantic Monthly</span>; two novels, unpublished, one about a man on an oil rig, another about a widow on a farm; "The Day We Looked at the Picture"; "The Gold Violin"; story or stories in <span style="font-style: italic;">Parabolas</span><br />
<span style="font-size: 85%;">—from </span><span style="font-size: 85%; font-style: italic;">Mad Men</span><span style="font-size: 85%;"> (TV), season 1, <a href="http://www.amctv.com/originals/madmen/episode5">episode 5</a></span><span style="font-size: 85%;">; season 2, episode 7</span><br />
<span style="font-size: 85%;"><br /></span>
<b>COLLUPHID, Oolon</b>:<br />
<blockquote>
<cite>Where God Went Wrong</cite><br />
<cite>Some More of God's Greatest Mistakes</cite><br />
<cite>Who Is This God Person, Anyway?</cite><br />
<span style="font-size: 85%;">—from <a href="http://en.wikipedia.org/wiki/Douglas_adams">Douglas Adams</a>'s <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780345453747"><cite>The Hitchhiker's Guide to the Galaxy</cite></a></span></blockquote>
<span style="font-weight: bold;">COURTNEY</span>, Martin: <span style="font-style: italic;">Sheltered Life</span> ("a rambling, largely autobiographical account of his teenage years"). <span style="font-style: italic;">See also Elliott, Evan. </span><br />
<span style="font-size: 85%;">—from Adrian Tomine's "Alter Ego," in </span><span style="font-size: 85%; font-style: italic;">Summer Blonde</span><br />
<br />
<span style="font-weight: bold;">CRAYE</span>, Lady Florence: <span style="font-style: italic;">Spindrift</span><br />
<span style="font-size: 85%;">—from P.G. Wodehouse's <span style="font-style: italic;">Joy in the Morning<br /><span style="font-size: 100%; font-weight: bold;"><br /></span></span><span style="font-size: 100%;"><span style="font-weight: bold;">CREADY</span>, Josh Holt: </span><span style="font-style: italic;"><span style="font-size: 100%;">Manassas</span></span></span><span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist</span></span>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com11tag:blogger.com,1999:blog-732670410210711961.post-55104730428789706152008-08-17T10:15:00.000-07:002019-01-16T07:50:30.694-08:00D<br />
<span style="font-weight: bold;">DAERON</span>, King<span style="font-weight: normal;">: <span style="font-style: italic;">Conquest of Dorne</span><br /><span style="font-size: 14px;">—from George R. R. Martin's <span style="font-style: italic;">A Storm of Swords</span></span></span><br />
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<span style="font-size: 14px;"><i><br /></i></span></div>
<span style="font-weight: bold;">DARKBLOOM</span>, Vivian: <span style="font-style: italic;">My Cue</span><br />
<span style="font-size: 85%;">—from Vladimir Nabokov's <span style="font-style: italic;">Lolita</span></span><br />
<br />
<b>DARROW</b>, Jr., Whitney: <span style="font-style: italic;">The Office Party</span><br />
<span style="font-size: 85%;">—from Seth's <span style="font-style: italic;">It's a Good Life, If You Don't Weaken</span></span><br />
<br />
<b>DAVIS</b>, R. H.:<br />
<blockquote>
<cite>Code Name</cite><br />
<cite>Killer Among the Children</cite><br />
<cite>Stained</cite></blockquote>
<span style="font-size: 85%;">—from Roberto Bolano's <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780374531553"><cite>2666</cite></a></span><br />
<br />
<b>DAVIES</b>, Jerome F.: <i>Bandersnatch</i><br />
—from <i>Black Mirror: Bandersnatch</i> (Netflix show)<br />
<br />
<span style="font-weight: bold;">DE KRAP</span>, Hans: <span style="font-style: italic;">Mexican Fruitcake</span><br />
<span style="font-size: 85%;">—from Ed Park's "A Note to My Translator," <a href="http://www.ew.com/ew/article/0,,284266,00.html"><span style="font-style: italic;">Virgin Fiction</span></a></span><br />
<br />
<b>DE SELBY</b>, Nicholas: <span style="font-style: italic;">Country Album</span><span style="font-size: 85%;"><br />—from Flann O'Brien's <span style="font-style: italic;">The Third Policeman</span> and</span><span style="font-size: 85%;"> Gilbert Sorrentino's <span style="font-style: italic;">Mulligan Stew</span></span><span style="font-weight: bold;"><br /></span><br />
<b><br /></b>
<br />
<span style="font-weight: bold;">DEANE</span>, Michael: <i>The Deane's Way: How I Pitched Modern Hollywood to America and How You Can Pitch Success Into Your Life Too</i><br />
<span style="font-size: 14px;">—from Jess Walter's <i>Beautiful Ruins</i></span><br />
<br />
<span style="font-weight: bold;">DENCOMBE</span>: <i>The Middle Year</i><span style="font-style: italic;">s</span><br />
<span style="font-size: 14px;">—from Henry James's "The Middle Years"</span><br />
<br />
<span style="font-weight: bold;">DENBROUGH</span>, Bill: <span style="font-style: italic;">Joanna</span>,<span style="font-style: italic;"> The Black Rapids</span><br />
<span style="font-size: 14px;">—from Stephen King's </span><span style="font-size: 14px; font-style: italic;">It</span><br />
<br />
<span style="font-weight: bold;">DENESTAN<span style="font-weight: normal;">, Maester: </span><span style="font-style: italic; font-weight: normal;">Questions</span><span style="font-size: 14px; font-weight: normal;"><br />—from George R. R. Martin's <span style="font-style: italic;">A Feast for Crows</span></span></span><br />
<span style="font-weight: bold;"><span style="font-size: 14px; font-weight: normal;"><span style="font-style: italic;"><br /></span></span></span>
<span style="font-weight: bold;">DETECTIVE</span>, Richard: <span style="font-style: italic;">Blackjack</span><br />
<span class="Apple-style-span" style="font-size: x-small;">—from Gilbert Sorrentino's </span><span style="font-style: italic;"><span class="Apple-style-span" style="font-size: x-small;">Odd Number</span></span><span style="font-weight: bold;"><span class="Apple-style-span" style="font-size: x-small;"><br /></span></span><br />
<span style="font-size: 100%;"><span style="font-weight: bold;"><br /></span></span>
<span style="font-size: 100%;"><span style="font-weight: bold;"></span></span><br />
<div style="font-size: medium;">
<span style="font-size: 100%;"><span style="font-weight: bold;">DEVERELL</span><b>, </b>Angel<b>: </b><span style="font-style: italic;">Aspasia, The Butterflies, An Eastern Tragedy, Irene, The Lady Irania, A Venetian Summer </span></span></div>
<div style="font-size: medium;">
<span style="font-size: 100%;"><span style="font-size: 13px;">—from Elizabeth Taylor's</span><span style="font-size: 13px; font-style: italic;"> Angel</span></span></div>
<div>
<span style="font-size: x-small;"><b><i><br /></i></b></span></div>
<span style="font-size: 100%;"><span style="font-weight: bold;">DEVEREAUX</span>, William Henry, Jr.: <span style="font-style: italic;">Off the Road</span></span><br />
<span style="font-size: 85%;">—from Richard Russo's </span><span style="font-size: 85%; font-style: italic;">Straight Man</span><br />
<div>
<span style="font-size: 85%;"><span class="Apple-style-span" style="font-size: 16px;"><span style="font-style: normal; font-weight: bold;"><br /></span></span></span>
<span style="font-size: 85%;"><span class="Apple-style-span" style="font-size: 16px;"><span style="font-style: normal; font-weight: bold;">[DICKENS, Charles]: </span></span></span><br />
<table border="0" cellpadding="0" cellspacing="0" style="margin-left: auto; margin-right: auto;" summary="Books at Tavistock"><tbody>
<tr><td align="left"><i>Five Minutes in China</i>. 3 vols.</td></tr>
<tr><td align="left"><i>Forty Winks at the Pyramids</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Abernethy on the Constitution</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Mr. Green's Overland Mail</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Captain Cook's Life of Savage.</i> 2 vols.</td></tr>
<tr><td align="left"><i>A Carpenter's Bench of Bishops</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Toot's Universal Letter-Writer</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Orson's Art of Etiquette.</i></td></tr>
<tr><td align="left"><i>Downeaster's Complete Calculator.</i></td></tr>
<tr><td align="left"><i>History of the Middling Ages</i>. 6 vols.<br />
<i>History of a Short Chancery Suit<br />Catalogue of Statues of the Duke of Wellington</i></td></tr>
<tr><td align="left"><i>Jonah's Account of the Whale</i>.</td></tr>
<tr><td align="left"><i>Captain Parry's Virtues of Cold Tar.</i></td></tr>
<tr><td align="left"><i>Kant's Ancient Humbugs.</i> 10 vols.</td></tr>
<tr><td align="left"><i>Bowwowdom</i>. A Poem.</td></tr>
<tr><td align="left"><i>The Quarrelly Review</i>. 4 vols.</td></tr>
<tr><td align="left"><i>The Gunpowder Magazine</i>. 4 vols.</td></tr>
<tr><td align="left"><i>Steele</i>. By the Author of "Ion."</td></tr>
<tr><td align="left"><i>The Art of Cutting the Teeth.</i></td></tr>
<tr><td align="left"><i>Matthew's Nursery Songs</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Paxton's Bloomers</i>. 5 vols.</td></tr>
<tr><td align="left"><i>On the Use of Mercury by the Ancient Poets.</i></td></tr>
<tr><td align="left"><i>Drowsy's Recollections of Nothing.</i> 3 vols.</td></tr>
<tr><td align="left"><i>Heavyside's Conversations with Nobody</i>. 3 vols.</td></tr>
<tr><td align="left"><i>Commonplace Book of the Oldest Inhabitant</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Growler's Gruffiology, with Appendix</i>. 4 vols.</td></tr>
<tr><td align="left"><i>The Books of Moses and Sons</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Burke (of Edinburgh) on the Sublime and Beautiful</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Teazer's Commentaries.</i></td></tr>
<tr><td align="left"><i>King Henry the Eighth's Evidences of Christianity</i>. 5 vols.</td></tr>
<tr><td align="left"><i>Miss Biffin on Deportment.</i></td></tr>
<tr><td align="left"><i>Morrison's Pills Progress</i>. 2 vols.</td></tr>
<tr><td align="left"><i>Lady Godiva on the Horse.</i></td></tr>
<tr><td align="left"><i>Munchausen's Modern Miracles</i>. 4 vols.</td></tr>
<tr><td align="left"><i>Richardson's Show of Dramatic Literature</i>. 12 vols.</td></tr>
<tr><td align="left"><i>Hansard's Guide to Refreshing Sleep</i>. As many volumes as possible.<br />
—from a "list of imitation book-backs,"to furnish Tavistock House, as set forth in a <a href="http://www.gutenberg.org/files/25852/25852-h/25852-h.htm#Page_266">letter</a> to "Mr. Eeles" (more <a href="http://www.flavorwire.com/329815/charles-dickens-library-of-fake-books">here</a>)</td></tr>
</tbody></table>
<span style="font-size: 85%;"><span class="Apple-style-span" style="font-size: 16px;"><span style="font-style: normal; font-weight: bold;"><br /></span></span></span>
<span style="font-size: 85%;"><span class="Apple-style-span" style="font-size: 16px;"><span style="font-style: normal; font-weight: bold;">DISKANT</span>, Tom: <i>El Alamein<span class="Apple-style-span" style="font-style: normal;">, </span><span class="Apple-style-span">The Christmas Book</span></i>, <i>Coral Sea</i>, <i>The Films of Jack Oakie,</i><i> </i><span style="font-style: italic;">Golf Courses of America</span><span style="font-style: normal;">, </span><i>Hospitals Can Make You Sick,</i> <i>The Ins and Outs of Unemployment Insurance</i>, <i>The Pink Garage Gang</i>, <i>Rumble Seats and Running Boards: The Wheels of Yesteryear</i><br /><span style="font-size: 14px; font-style: normal;">—from Donald E. Westlake's <span style="font-style: italic;">A Likely Story</span></span></span></span></div>
<div>
<span style="font-size: 100%;"><span style="font-weight: bold;"><br /></span></span>
<span style="font-size: 85%; font-style: italic;"><span class="Apple-style-span" style="font-size: 16px; font-style: normal;"><span style="font-size: 14px;"><span style="font-style: italic;"></span></span></span></span><span style="font-size: 100%;"><span style="font-weight: bold;">DIX</span>, John Selmer, M.A.:</span><span style="font-size: 85%; font-style: italic;"><span style="font-size: 100%;"> With Wings as Eagles</span></span><br />
<span style="font-size: 85%;">—from <a href="http://www.believermag.com/issues/200303/?read=article_park">Charles Portis</a>'s </span><span style="font-size: 85%; font-style: italic;"><span style="font-style: italic;">The Dog of the South</span></span><span style="font-weight: bold;"><br /></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">DODD</span>, Lancaster, M.O.D., Ph.D., M.D.: The Split Saber<br />
<span class="Apple-style-span" style="font-size: x-small;">—from Paul Thomas Anderson's film </span><i><span class="Apple-style-span" style="font-size: x-small;"><a href="http://pmcmovieline.files.wordpress.com/2012/07/the-master-trailer-split-saber.jpg">The Master</a></span></i><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">DRIFFIELD</span>, Edward: <span style="font-style: italic;">The Cup of Life</span><br />
<span style="font-size: 85%;">—from W. Somerset Maugham's</span><span style="font-size: 85%; font-style: italic;"> Cakes and Ale</span><br />
<br />
<b>DRINKWATER, </b>John: <cite>The Architecture of Country Houses</cite><br />
<span style="font-size: 85%;">—from <a href="http://crowleycrow.livejournal.com/">John Crowley</a>'s </span><span style="font-size: 85%; font-style: italic;"><a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780061120053">Little, Big</a></span><br />
<br />
<span style="font-weight: bold;">DUCHARME</span>, Elisabeth: <span style="font-style: italic;">When the Train Passes</span><span style="font-size: 85%;">—from Vladimir Nabokov's <span style="font-style: italic;">Bend Sinister</span></span><br />
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Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com9tag:blogger.com,1999:blog-732670410210711961.post-77693845419974850542008-08-17T10:12:00.000-07:002014-07-27T07:56:41.153-07:00E<span style="font-weight: bold;">EAGAN</span>, Dexter: <span style="font-style: italic;">Cracked Like Teeth</span><span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist</span></span><br />
<span style="font-weight: bold;"><br />EARBRASS</span>, C(lavius) F(rederick): <span style="font-style: italic;">A Moral Dustbin</span>, <span style="font-style: italic;">More Chains Than Clank</span>, <span style="font-style: italic;">Was It Likely?</span>, the Hipdeep trilogy, <span style="font-style: italic;">The Unstrung Harp</span>, <span style="font-style: italic;">The Meaning of the House</span><br />
<span style="font-size: 85%;">—from Edward Gorey's <span style="font-style: italic;">The Unstrung Harp; or, Mr Earbrass Writes a Novel</span></span><br />
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<span style="font-weight: bold;">EASKEY</span>, Ted: <span style="font-style: italic;">A Fire in the Entrails</span> (winner of the Warburton Prize)<br />
<span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist</span></span><br />
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<span style="font-weight: bold;">ELLIOTT</span>, Evan: <span style="font-style: italic;">The Last Lost Chance</span> (ghostwritten by Martin Courtney, q.v.).<br />
<span style="font-size: 85%;">—from Adrian Tomine's "Alter Ego," in </span><span style="font-size: 85%; font-style: italic;">Summer Blonde</span><br />
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<span style="font-weight: bold;">ELLISON</span>, Thelonius:<br />
<span style="font-style: italic;">Personal Knowledge</span>, a novel, Tower Press, New York, NY, 1993<br />
<span style="font-style: italic;">The Persians</span>, a novel, Lawrence Press, New York, NY, 1991<br />
<span style="font-style: italic;">The Second Failure</span>, a novel, Endangered Species Press, Chicago, IL, 1988<br />
<span style="font-style: italic;">Shedding Skin</span>, short stories, Lawrence Press, New York, NY, 1984<br />
<span style="font-style: italic;">Chaldean Oracles</span>, a novel, Fat Chance Press, Lawrence Press [sic?], 1983<br />
<span style="font-size: 85%;">—from Percival Everett's <span style="font-style: italic;">Erasure</span></span><br />
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<span style="font-weight: bold;">EMBER</span>: <span style="font-style: italic;">Komparatiwn Stuhdar en Sophistat tuen Pekrekh</span> (<span style="font-style: italic;">The Philosophy of Sin</span>)<br />
<span style="font-size: 85%;">—from Vladimir Nabokov's <span style="font-style: italic;">Bend Sinister</span></span><br />
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<span style="font-weight: bold;">ENDERBY</span>, F. X.: <span style="font-style: italic;">Fish and Heroes </span>("his early poems")<br />
<span style="font-size: 85%;">—from Anthony Burgess's <span style="font-style: italic;">Enderby</span></span><br />
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<span style="font-weight: bold;">ERLETTE</span>, Comte d': <span style="font-style: italic;">Cultes des Goules</span><br />
<span style="font-size: 85%;">—from Robert Bloch's "The Grinning Ghoul" and H.P. Lovecraft's "The Haunter of the Dark"</span><br />
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<span style="font-weight: bold;">ERME</span>, Gwendolen: <span style="font-style: italic;">Deep Down</span>, <span style="font-style: italic;">Overmastered</span><br />
<span style="font-size: 85%;">—from Henry James's "The Figure in the Carpet"</span><br />
<span style="font-weight: bold;">ESCOTT</span>, Harry: "The Pot of Tulips" ("for <span style="font-style: italic;">Harper's Monthly</span>," a story "the foundation of which was a ghost")<span style="font-size: 85%;"><br />—from Fitz-James O'Brien's "What Was It?"</span><br />
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<span style="font-weight: bold;">EYCK</span>, Gregory: <span style="font-style: italic;">(Re)visioning Resurrection: The Myth of Human Sacrifice</span><br />
<span style="font-size: 85%;">—from James Hynes's <span style="font-style: italic;">Publish and Perish</span></span>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com3tag:blogger.com,1999:blog-732670410210711961.post-80065164585826777822008-08-17T10:10:00.001-07:002023-03-07T04:31:57.295-08:00F<span style="font-weight: bold;">FABER</span>, Arlen: <i>Me and God</i> (Dellmer Publishing, 1988, $15.95)<br />
—from John Hindeman's film <i>The Answer Man</i><br />
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<span style="font-weight: bold;">FALMOUTH</span>, Tobin: <span style="font-style: italic;">The Metal Children</span><br />
<span style="font-size: 85%;">—from Adam Rapp's <a href="http://theater.nytimes.com/2010/05/20/theater/reviews/20metal.html?hpw"><span style="font-style: italic;">The Metal Children</span></a></span><br />
<span style="font-weight: bold;"><br />FERRIS</span><span>, James, and <b>FRANKLIN</b>, Ken: <i>Mrs. Melville's Favorite Murder</i>, <i>Mrs. Melville's Challenge</i>, <i>Mrs. Melville on the High Seas</i>, <i>Mrs. Melville in London,</i> <i>Mrs. Melville in New York</i>, <i>The Missing Link</i>, <i>Mrs. Melville Investigates</i>, <i>Mrs. Melville in Court</i>, <i>Mrs. Melville Takes a Risk</i>, <i>The Death of Mrs. Melville, <a href="https://columbo.fandom.com/wiki/Mrs._Melville">Prescription: Murder</a></i>. </span><div><span>—from <i>Columbo </i>(TV), <a href="https://columbo.fandom.com/wiki/Murder_by_the_Book" target="_blank">"Murder by the Book"</a> (season 1, episode 1), 1971 (dir. Steven Spielberg)</span><div><span style="font-weight: bold;"><br /></span></div><div><span style="font-weight: bold;">FERSENGELD</span>, Joachim: <span style="font-style: italic;">Pericalypsis</span><span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><span style="font-weight: bold;"><br /></span>
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<span style="font-weight: bold;">FISCHER</span>, Robert I.: <span style="font-style: italic;">I Have Suffered Greatly</span><br />
<span style="font-size: 13.6px;">—from Matthew Klam's <span style="font-style: italic;">Who Is Rich?</span></span><br />
<span style="font-weight: bold;"><br />FLAMBEAUX</span>, Lorna: <span style="font-style: italic;">The Sweet of Love</span><br />
<span style="font-size: 85%;">—from Gilbert Sorrentino's </span><span style="font-size: 85%; font-style: italic;">Odd Number</span><br />
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<span style="font-weight: bold;">FLANDERS</span>, Ellen Jay: <span style="font-style: italic;">A New York Evening</span><br />
<span style="font-size: 85%;">—from Roz Chast's <span style="font-style: italic;">Theories of Everything</span></span><br />
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<span style="font-weight: bold;">FLETCHER, J.B.</span>: <span style="font-style: italic;">The Corpse Dances at Midnight</span><br />
<span style="font-size: 85%;">—from the television show <span style="font-style: italic;">Murder, She Wrote</span></span><br />
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<span style="font-weight: bold;">FLOOD</span>, Margery McIntyre: <span style="font-style: italic;">You Can't Do Anything Right</span>, <span style="font-style: italic;">Mom's Coffee Smells Like Gin</span>, <span style="font-style: italic;">You Would If You Loved Me</span>, <span style="font-style: italic;">Where Were You on Sunday?</span><br />
<span style="font-size: 85%;">—from Caitlin Macy's "Bad Ghost," in </span><span style="font-size: 85%; font-style: italic;">Spoiled</span><br />
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<i><span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-style: normal;"><b><br /></b></span></span></i><span class="Apple-style-span" style="font-size: medium;"><b>FOGWARE, David L.:</b><i> Enchantress of Nyin (</i>Volume VII of the Farbender Netherbender series)</span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: 16px;"><span class="Apple-style-span" style="font-size: small;">—from Donald E. Westlake's <i>Money for Nothing</i></span></span></span><br />
<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: 16px;"><span class="Apple-style-span" style="font-size: small;"><i><br /></i></span></span></span></div>
<span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-style: normal;"><b>FOX, Delphie:</b></span><i> The Adventures of Augustus</i>, <i>Augustus Goes to the Seaside</i> </span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: 16px;"><span class="Apple-style-span" style="font-size: small;">—from Kate Atkinson's <i>Life after Life</i></span></span></span><br />
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<i><span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-style: normal;"><b>FOX, Alan:</b></span> The Master Debater<span class="Apple-style-span" style="font-style: normal;"> ("A 'sixties' coming of age story set in the world of high school debate")</span></span></i></div>
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<span class="Apple-style-span" style="font-size: small;"><i><span class="Apple-style-span" style="font-size: 16px; font-style: normal;"><span class="Apple-style-span" style="font-size: small;">—from Gary Walkow's film <i>Crashing</i></span></span></i></span></div>
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<span class="Apple-style-span" style="font-size: medium;"><b>FRANZEN, Jonathan:</b><i> A Bereavement </i>(published posthumously) </span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: 16px;"><span class="Apple-style-span" style="font-size: small;">—from Edan Lepucki's <i>California</i></span></span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: 16px;"><span class="Apple-style-span" style="font-size: small;"><i><br /></i></span></span></span></div>
<span style="font-size: 100%;"><span style="font-weight: bold;">FREIDEGGER</span>, Susanne:</span><span style="font-size: 85%; font-style: italic;"><span style="font-size: 100%;"> Myopia Dystopia</span></span><span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist</span></span><br />
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<span style="font-size: 16px;"><span style="font-weight: bold;">FUKADA</span>, Eriko:</span><span style="font-size: 14px; font-style: italic;"><span style="font-size: 14px;"> Air Chrysalis</span></span><span style="font-size: 14px;">—from Haruki Murakami's <span style="font-style: italic;">1Q84</span></span></div><div><span style="font-size: 14px;"><span style="font-style: italic;"><br /></span></span></div><div><span style="font-size: 14px;"><span style="font-style: italic;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEixv_A7bCwSLoRRAzkutrN18Z4ZZsuhb0rRN35of1S6i7Yxnl140d61T7RywKXgkFwm5pndpGza8G9b7FjFNvV-fKOCyRfGe8nHwQqZWzJw6yodO2o_Cl68s4XmXraJY4q4GR2Or6J2UT_JbNOrzMMEpnyr9CVzgzTNOgaTPrmePqYlYIHT8KmBdtAt" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2040" data-original-width="2756" height="237" src="https://blogger.googleusercontent.com/img/a/AVvXsEixv_A7bCwSLoRRAzkutrN18Z4ZZsuhb0rRN35of1S6i7Yxnl140d61T7RywKXgkFwm5pndpGza8G9b7FjFNvV-fKOCyRfGe8nHwQqZWzJw6yodO2o_Cl68s4XmXraJY4q4GR2Or6J2UT_JbNOrzMMEpnyr9CVzgzTNOgaTPrmePqYlYIHT8KmBdtAt" width="320" /></a></div><br /><br /></span></span></div>
</div></div>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com13tag:blogger.com,1999:blog-732670410210711961.post-38427759722594161192008-08-17T10:08:00.000-07:002019-01-12T18:09:12.169-08:00G<span style="font-weight: bold;"></span><br />
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<span style="font-weight: bold;"><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span style="font-weight: bold;">GALENDRO</span>:<span style="font-weight: bold;"> </span><i>The Fires of the Freehold</i><br /><span style="font-size: 14px;">—from George R. R. Martin's <i>A Dance with Dragons</i></span></span></span></span></div>
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<span style="font-weight: bold;">GARP</span>, T. S.:<span style="font-weight: bold;"> </span><i>Procrastination</i>, <i>The World According to Bensenhaver</i>,<i> </i><i>My Father's Illusions</i><br />
<span style="font-size: 85%;">—from John Irving's <span style="font-style: italic;">The World According to Garp</span></span><span style="font-weight: bold;"><br /><br />GENGLI</span><span style="font-weight: bold;"> Eva</span>:<span style="font-weight: bold;"> </span><br />
<i>A Blotter of Wings</i><br />
<i>Lead Glass Iris</i><br />
<i>The Shadow of a Wing</i><br />
<i>A Tergo</i><br />
<span style="font-size: 85%;">—from Brian Evenson's "The Wavering Knife"</span><span style="font-weight: bold;"><br /></span><br />
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<b>GERBER</b>, Michael: <i>Are You There, God? It's Me, Hitler?</i>; <i>Harriet the Guy</i>; <i>I Am the Sleaze</i>; <i>Encyclopedia Brown Gets Punched, HARD</i>; His Damaged Credit Trilogy: Book I, <i>The Golden Whupass</i>; Book II, <i>The Subtle Knish</i>; Book III, <i>The Amber Shotglass</i><br />
<span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-size: 14px;">—from the other-books-by-the-same-author page of Gerber's <i>Barry Trotter and the Unauthorized Parody</i></span></span><br />
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<span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span style="font-weight: bold;">GERSHON, Douglas</span>:<span style="font-weight: bold;"> </span><i>Dictators I Have Known</i><br /><span style="font-size: 14px;">—from Brett Halliday's <i>Murder Is My Business</i></span></span></span></div>
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<span style="font-weight: bold;"><a href="http://www.villagevoice.com/2004-03-09/books/the-game-of-the-prose/"></a><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: 14px; font-weight: normal;"><i><br /></i></span></span>GERVASE</span><span style="font-weight: bold;"> (monk)</span>:<span style="font-weight: bold;"> </span><i>A Viage to the Contree of the Cimmerians</i><br />
<span style="font-size: 85%;">—from Lev Grossman's <a href="http://www.villagevoice.com/2004-03-09/books/the-game-of-the-prose/"><span style="font-style: italic;">Codex</span></a></span><span style="font-weight: bold;"><br /><br />GLASS, </span>Nathan: <span style="font-style: italic;">The Book of Human Folly</span><br />
<span style="font-size: 85%;">—from Paul Auster's <span style="font-style: italic;">City of Glass</span></span><span style="font-weight: bold;"><br /><br />GOLD</span> (Governor, of Delaware): <span style="font-style: italic;">Mass or Mess?</span> (a book "that had angered many Catholics")<br />
<span style="font-size: 85%;">—from Harry Mathews's <span style="font-style: italic;">The Conversions</span></span><br />
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<span style="font-weight: bold;">GOLD</span>, L.J.: "You Were Now," in <span style="font-style: italic;">nebulous 5</span><br />
<span style="font-size: 85%;">—from Chris Ware's <span style="font-style: italic;">Acme Novelty Library </span>(Vol. 19)</span><br />
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<span style="font-weight: bold;">GOLD</span><b>, Tovah: </b><i>For the Student Union Dead</i></div>
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<span style="font-size: 14px;">—from Sam Lipsyte's "Deniers"</span></div>
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<span style="font-weight: bold;"><span style="font-size: 14px;"><i><br /></i></span></span></div>
<span style="font-weight: bold;">GOLDSTEIN</span>, Emmanuel: <i>The Theory and Practice of Oligarchical Collectivism</i><br />
<span style="font-size: 14px;">—from George Orwell's <i>1984</i></span><br />
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<span style="font-weight: bold;">GODDARD</span> (first name unknown): <span style="font-style: italic;">The Rise of the Colored Empires</span><br />
<span style="font-size: 85%;">—from F. Scott Fitzgerald's </span><span style="font-size: 85%; font-style: italic;">The Great Gatsby</span><br />
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<span style="font-weight: bold;">GOODBY</span>, Sir George:<span style="font-weight: bold;"> </span><i>A Dream of Merrie England, Metrical Yarns of a Pipeman</i>, <i>An Optimist Sings</i>, <i>Roseleaves of Memory</i><br />
<span style="font-size: 13.333333969116211px;">—from Anthony Burgess's <i>Inside Mr Enderby</i></span><br />
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"><br /></span></span>
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<span style="font-weight: bold;">GOODMAN</span>, Luis:<span style="font-weight: bold;"> </span><i>The Sympathetic Butcher</i><br />
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"></span></span><br />
<span style="font-size: 13.600000381469727px;">—from Gary Shteyngart's <span style="font-style: italic;">Lake Success</span></span><span style="font-weight: bold;"><br /></span><br />
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<span style="font-weight: bold;">GOTTLIEB</span>, Professor:<span style="font-weight: bold;"> </span><i>Modern Crime Detection</i><br />
<span style="font-size: 85%;">—from Rex Stout's <span style="font-style: italic;">Fer-de-Lance</span></span><span style="font-weight: bold;"><br /></span><br />
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<span style="font-weight: bold;">GRANITE</span>, Anna: <span style="font-style: italic;">The Last Woman Alive</span>, <i> The Bulwark</i>, <i>The Gods Disdained</i><br />
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<span style="font-size: x-small;">—from Mary Gaitskill's <i>Two Girls, Fat and Thin</i></span></div>
<span style="font-weight: bold;"><br />GRAVIS</span>, Madeleine: <span style="font-style: italic;">Getting Better</span>, et al.<br />
<span style="font-size: 85%;">—from Charlie Kaufman's <span style="font-style: italic;">Synecdoche, New York</span></span><span style="font-weight: bold;"><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAwi-pgFj1AyM_K0yyhmkGfDmKtoGHlAU9jdf0n68QQ0PWdByo6JslNrijCz4s6tsOM9d0e-8FT2E6R3ubnYsnysGueFssQrw1zNuviWNhuNMUm7xoR33oq96dYLjYtIHPr8-1jNMcOL4/s1600-h/43020800.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5360209866548917778" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAwi-pgFj1AyM_K0yyhmkGfDmKtoGHlAU9jdf0n68QQ0PWdByo6JslNrijCz4s6tsOM9d0e-8FT2E6R3ubnYsnysGueFssQrw1zNuviWNhuNMUm7xoR33oq96dYLjYtIHPr8-1jNMcOL4/s400/43020800.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 300px;" /></a></span><br />
<span style="font-size: 85%;"><i><b>GRAYS </b>Sports Almanac: Complete Sports Statistics, 1985-2000</i></span><br />
<span style="font-size: 85%;"><span style="font-size: 13.6px;">—from the Robert Zemekis film</span><span style="font-size: 13.6px;"> </span><i style="font-size: 13.6px;">Back to the Future</i></span><br />
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<span style="font-weight: bold;">GREENE</span>, Milton: <span style="font-style: italic;">From Peanut to President</span><br />
—from <span style="font-style: italic;">30 Rock</span> (Season 4, <a href="http://www.hulu.com/watch/103853/30-rock-into-the-crevasse">episode 2</a>)<span style="font-weight: bold;"><br /><br />GREENE</span>, Vicki: <span style="font-style: italic;">Love You to Death</span> (the cover depicts "a vulpine creature kneeling in sorrow at a grave site"), <span style="font-style: italic;">Nightwalk</span>, <span style="font-style: italic;">Wish You Were Here</span>, <span style="font-style: italic;">Dying to Know You,</span> <span style="font-style: italic;">Midnight and Roses</span><span style="font-size: 85%;">—from Jack McDevitt's <a href="http://www.latimes.com/features/books/la-caw-astral-weeks28-2008dec28,1,6730759.story"><span style="font-style: italic;">The Devil's Eye</span></a></span><span style="font-weight: bold;"><br /><br />GREENWICH</span>, Cullen "Cubby":<span style="font-style: italic;"> One O'Clock Jump</span><span style="font-size: 85%;">—from Dean Koontz's </span><span style="font-style: italic;"><span style="font-size: 85%;">Relentless</span></span><span style="font-weight: bold;"><br /></span><span style="font-weight: bold;"><br /></span><br />
<span style="font-weight: bold;">GRUNBERG</span>, Arthur: <span style="font-style: italic;">Cumin: The Spice That Saved the World</span><span style="font-weight: bold;"><br /></span><span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist</span></span><br />
<span style="font-weight: bold;"><br /><b>GWINNETT</b>, Russell: </span><span style="font-style: italic;">Death's-Head Swordsman</span> (winner of the 1968 Magnus Donners prize), <span style="font-style: italic;">The Gothic Symbolism of Mortality in the Texture of Jacobean Stagecraft</span><span style="font-weight: bold;"><br /></span><span style="font-size: 85%;">—from Anthony Powell's <span style="font-style: italic;">A Dance to the Music of Time</span></span></div>
Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com11tag:blogger.com,1999:blog-732670410210711961.post-30560955224736880452008-08-17T10:03:00.000-07:002020-05-29T05:51:16.232-07:00H-I<span style="font-weight: bold;">H</span>., Neaera: <span style="font-style: italic;">Delia Swallow's Wedding</span>,<span style="font-weight: bold;"> </span><span style="font-style: italic;">Delia Swallow's Housewarming</span><span style="font-weight: bold;"><br /></span><span style="font-size: 85%;">—from Russell Hoban's <span style="font-style: italic;">Turtle Diary</span></span><span style="font-weight: bold;"><br /><br />HAEREG<span style="font-weight: normal;">: </span><span style="font-style: italic; font-weight: normal;">History of the Ironborn</span><span style="font-size: 14px; font-weight: normal;"><br />—from George R. R. Martin's <span style="font-style: italic;">A Feast for Crows</span></span></span><br />
<span style="font-size: 14px;"><i><br /></i></span><b>HAMMER</b>, E. Karl: <span style="font-style: italic;">Miriam: The Disappearance of a New England Girl</span><span style="font-size: 85%;">—from Heidi Julavits's <span style="font-style: italic;">The Uses of Enchantment</span></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">HAMPSHIRE, Lionel:</span> <i>The Twilight of Otters </i>("a slender volume made up partly of memoir, partly of fiction, which had somehow caught the spirit of its time"); Fallopia ("a bizarre excursion into feminist sci-fi")<br />
<span style="font-size: 13.600000381469727px;">—from Jonathan Coe's <span style="font-style: italic;">Middle England</span></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">HANNAHAM</span>, Patrick: <span style="font-style: italic;">Gigamesh</span><span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
<br />
<span class="Apple-style-span" style="font-weight: bold;">HANSLET</span>, J.R.: <i>All of Them Witches</i><br />
—from Ira Levin's <i>Rosemary's Baby</i><br />
<br />
<span style="font-weight: bold;">HARDING, York:</span> <span style="font-style: italic;">The Advance of Red China</span>, <span style="font-style: italic;">The Challenge to Democracy</span>, <span style="font-style: italic;">The Role of the West</span><br />
<span style="font-size: 85%;">—from Graham Greene's <span style="font-style: italic;">The Quiet American</span></span><br />
<br />
<span style="font-weight: bold;">HARMAN</span>, Marva: "Nucleus, Repent!," in <span style="font-style: italic;">nebulous 5</span><span style="font-size: 85%;">—from Chris Ware's <span style="font-style: italic;">Acme Novelty Library </span>(Vol. 19)</span><br />
<br />
<b>HARALDSSON</b>, Valdimar: <i>Memoirs of a Herring Inspector</i> (pub. Fisk og Kultur, Copenhagen, 1933)<br />
—from Sjón's <i>The Whispering Muse</i><br />
<span class="Apple-style-span" style="font-weight: bold;"><br /></span>
<span class="Apple-style-span" style="font-weight: bold;">HARVEY</span>, Philip: <i>Why the Gods Laugh</i><br />
—from Rex Stout's <i>Plot It Yourself</i><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">HASKELL</span>, Kalver (M.A., M.Sc.): <span style="font-style: italic;">THE 99 RULES—of Neuropathic and Psychopathic Heredity, as compiled Empirically from 61,238 Case Histories</span><span style="font-size: 100%;">—Harry Stephen Keeler, <span style="font-style: italic;">Y. Cheung, Business Detective</span></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;"></span><br />
<span style="font-weight: bold;">HASLAM,</span> Silas: <i>A General History of Labyrinths</i> <br />
<span style="font-size: small;">—from Jorge Luis Bo<span style="font-family: inherit;">rg</span>es's <span style="font-family: inherit;">"<span></span><span>Tlön, Uqbar, Orbis Tertius</span><span>" </span></span></span><br />
<br />
<span style="font-weight: bold;">HATCHER</span>, Warren: A "history of advertising"<span style="font-size: 13.6px;"><br />—from Judy Blume's <i>Double Fudge</i></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">HEMPLE</span>, Billy: <span style="font-style: italic;">Mr. Monte Zenda of Graustark</span><span style="font-size: 85%;"><br />—from Harry Stephen Keeler's <span style="font-style: italic;">The Mystery of the Fiddling Cracksman</span></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">HENRY</span>, Louis: <span style="font-style: italic;">Sheila Sleeping</span>, <span style="font-style: italic;">Lobster Lays</span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">HENRY</span>, Sheila: <span style="font-style: italic;">The Orange Dress</span><br />
<span style="font-size: 85%;">—from Gilbert Sorrentino's </span><span style="font-size: 85%; font-style: italic;">Odd Number</span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">HERITAGE</span>, John: <span style="font-style: italic;">Whorls--John Heritage's Book</span><br />
<span style="font-size: 14px;">—from John Buchan's <i>Huntingtower</i></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">HIBBARD</span>, Andrew: <span style="font-style: italic;">The Chasm of the Mind</span><br />
<span style="font-size: 85%;">—from Rex Stout's <span style="font-style: italic;">The League of Frightened Men</span></span><br />
<br />
<span style="font-weight: bold;">HICOX</span>, (Lt.) Archie: <span style="font-style: italic;">Art of the Eyes, The Heart, and the Mind: A Study of German Cinema of the ’20s</span>; <span style="font-style: italic;">Twenty-Four Frame Da Vinci</span> ("It's a subtextual film criticism study of the work of German film director G.W. Pabst")<br />
<span style="font-size: 85%;">—from Quentin Tarantino's <span style="font-style: italic;">Inglorious Basterds</span></span><br />
<br />
<span style="font-weight: bold;">HIGHSMITH</span>, Gordon ("Researchist in Sinological Literature and History, and ex-Resident of Shanghai, China"): <span style="font-style: italic;">The Way Out: A Collection and Collation of All the Wisdom of Ancient China, so Classified and Sub-Classified as to be made Applicable to All sorts of Situations and Categories thereof, and to Prove that the Chinese Have Antedated All Knowledge of All Races of All Ages, and Possess—in the Totality of their Recorded Sayings—the Answers to Every Problem and Question: Moral, Enigmatic, Economic, Sociological, Psychological, Financial, etc. etc. </span>("Copyrighted [copyright covers both text and logical arrangement]; Price $3.50 [Worth $10), VINNEDGE BROTHERS, PUBLISHERS; PHILADELPHIA")<br />
<span style="font-size: 85%;">—in Harry Stephen Keeler's <a href="http://www.ramblehouse.com/peacockfanchapter.htm"><span style="font-style: italic;">The Peacock Fan</span></a>, <span style="font-style: italic;">The Case of the 16 Beans</span>, <span style="font-style: italic;">The Sharkskin Book</span>, <span style="font-style: italic;">The Book With the Orange Leaves</span>, and <span style="font-style: italic;">The Case of the Two Strange Ladies</span></span><br />
<br />
<b>HO,</b> Patty: Wolf Trials<br />
<span style="font-size: x-small;">—from <i>Friends From College </i>(TV show)</span><br />
<br />
<span style="font-weight: bold;">HOLDIN</span>, Don: <span style="font-style: italic;">Golf</span><br />
<span style="font-size: 13.333333969116211px;">—from the film <i>Winter Passing</i></span><br />
<div>
<br /></div>
<span style="font-weight: bold;">HOSEN</span>, Hara: <span style="font-style: italic;">Outline of Procedures Governing the Manufacture of Pyrotechnics</span><br />
<span style="font-size: 85%;">—from Yasushi Inoue's "The Counterfeiter"</span><br />
<br />
<span style="font-weight: bold;">HUGHES</span>, Felix: <span style="font-style: italic;">The Artifice of Order</span> (poems)<br />
<span style="font-size: 85%;">—from Harry Mathews's <span style="font-style: italic;">The Conversions</span></span><br />
<br />
<span style="font-weight: bold;">IKOKA</span>, Takakumi: <span style="font-style: italic;">On the Carpet of Leaves Illuminated by the Moon</span><br />
<span style="font-size: 85%;">—from Italo Calvino's <span style="font-style: italic;">If on a Winter's Night a Traveler</span></span><br />
<br />
<b>INDEX FINGER</b>: <span style="font-style: italic;">Chasing the Jaw-Line</span><br />
<span style="font-size: 85%;">—from Carrie Olivia Adams's <span style="font-style: italic;">Intervening Absence</span></span><br />
<br />
<span style="font-weight: bold;">PRINCESS IRULAN</span>: <span style="font-style: italic;">Muad'Dib: Family Commentaries</span>, <span style="font-style: italic;">In My Father's House</span>, <span style="font-style: italic;">A Child's History of Muad'Dib</span>, <span style="font-style: italic;">Analysis: The Arrakeen Crisis</span> ("private circulation: B.G. file number AR-81088587"), <span style="font-style: italic;">Arrakis Awakening</span>, <span style="font-style: italic;">Manual of Muad'Dib</span>, <span style="font-style: italic;">The Collected Sayings of Muad'Dib</span>, <span style="font-style: italic;">Collected Legends of Arrakis</span>, <span style="font-style: italic;">The Wisdom of Muad'Dib</span>, <span style="font-style: italic;">Muad'Dib the Man</span><br />
<span style="font-size: 85%;">—from Frank Herbert's </span><span style="font-size: 85%; font-style: italic;">Dune</span><br />
<br />
<b>IVANOV</b>, Efraim: <br />
<blockquote>
<cite>Dawn</cite> (1934)<br />
<cite>Midday</cite> (1932)<br />
<cite>Twilight</cite> </blockquote>
<span style="font-size: 85%;">—from <a href="http://en.wikipedia.org/wiki/Roberto_Bolano">Roberto Bolano</a>'s <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780374100148"><cite>2666</cite></a></span>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com11tag:blogger.com,1999:blog-732670410210711961.post-67577186131951930042008-08-17T10:00:00.000-07:002013-04-06T17:09:25.493-07:00J-K<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Y3M6C5l_dlLaVKIkGg-5LNmW56OdQd5qjR5h4qH4rY-RK8_jIibI9aSvggBwtUrNgkUQYjOlOlR9Do-fUq2B3NmHB9gBaa-RphHq54j5n7u6qZe3rkx5NEhSd-k15WzOLdqH320heiU/s1600-h/3.0.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5352091319960786578" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Y3M6C5l_dlLaVKIkGg-5LNmW56OdQd5qjR5h4qH4rY-RK8_jIibI9aSvggBwtUrNgkUQYjOlOlR9Do-fUq2B3NmHB9gBaa-RphHq54j5n7u6qZe3rkx5NEhSd-k15WzOLdqH320heiU/s400/3.0.jpg" style="cursor: pointer; float: left; height: 400px; margin: 0pt 10px 10px 0pt; width: 300px;" /></a><br />
<span style="font-weight: bold;">JADWAY</span>, J.J.: <span style="font-style: italic;">The Seven Minutes</span><br />
<span style="font-size: 85%;">—from Irving Wallace's <span style="font-style: italic;">The Seven Minutes</span></span><span style="font-weight: bold;"><br /></span><br />
<span style="font-weight: bold;">JENKINS</span>, Nicholas: <span style="font-style: italic;">The Silent Summer</span>;<span style="font-style: italic;"> Mornings in Wiltshire</span>;<span style="font-style: italic;"> Fellow Members</span> (memoir);<span style="font-style: italic;"> Knowing the Right People</span>;<span style="font-style: italic;"> </span><span style="font-style: italic;">Paying the Rent<span style="font-style: italic;"> </span></span>(collected reviews);<span style="font-style: italic;"> </span><span style="font-style: italic;">Borage and Hellebore</span> (study of Robert Burton)<span style="font-size: 85%;">—from Anthony Powell's </span><span style="font-size: 85%; font-style: italic;">A Dance to the Music of Time</span><br />
<br />
<div>
<div>
<span style="font-weight: bold;">JOBSON, </span>Bella Mae: <i>Charlie Chipmunk Up the Orinoco</i><span style="font-style: italic;"><br /></span><span style="font-size: 14px;">—from P. G. Wodehouse's <i>Eggs, Beans and Crumpets</i></span></div>
<div>
<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: 14px;"><i><br /></i></span></span>
<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: 14px;"><span style="font-size: small; font-weight: bold;">JODOIN, </span><span style="font-size: small;">Charles: </span><i style="font-size: medium;">Windows</i><span style="font-size: small; font-style: italic;"><br /></span>—from John Cotter's <i>Under the Small Lights</i></span></span><br />
<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: 14px;"><i><br /></i></span></span></div>
<span style="font-weight: bold;">JONES</span>, Anton: "Kill Me, Atomic Girl," in <span style="font-style: italic;">nebulous 5</span><br />
<span style="font-size: 85%;">—from Chris Ware's <span style="font-style: italic;">Acme Novelty Library </span>(Vol. 19)</span><br />
<div>
<div style="font-size: medium;">
<span style="font-size: 85%;"><span style="font-weight: bold;"><span style="font-size: small;"><br /></span></span></span>
<span style="font-size: 85%;"><span style="font-weight: bold;"><span style="font-size: small;">JONES, </span><span style="font-size: small; font-weight: normal;">Chesil: </span><i style="font-size: medium; font-weight: normal;">Guilty Pleasures</i><span style="font-size: small; font-weight: normal;">,</span><i style="font-size: medium; font-weight: normal;"> Men in Trouble</i><span style="font-size: small; font-weight: normal;">,</span><i style="font-size: medium; font-weight: normal;"> The Runaways</i><span style="font-size: small; font-weight: normal;">, <i>Summertime</i></span><span style="font-size: small; font-style: italic; font-weight: normal;"><br /></span><span style="font-size: 14px; font-weight: normal;">—from Rachel Kushner's <i>The Flamethrowers</i></span></span></span><br />
<span style="font-size: 85%;"><span style="font-weight: bold;"><span style="font-size: 14px; font-weight: normal;"><i><br /></i></span></span></span></div>
<span style="font-weight: bold;">JORQUEN, </span>Septon: <i>Annals of the Black Centaur</i><span style="font-style: italic;"><br /></span><span style="font-size: 14px;">—from George R. R. Martin's <i>A Feast for Crows</i></span><br />
<div style="font-size: medium;">
<br /></div>
<div style="font-size: medium;">
<span style="font-size: 85%;"><span style="font-weight: bold;">KAETH</span>, Grand Master: <i>Lives of Four Kings</i></span></div>
</div>
<div style="font-size: medium;">
<span style="font-size: 85%;"><span style="font-size: 14px;">—from George R. R. Martin's <i>A Storm of Swords</i> </span></span></div>
<div>
<span style="font-size: 85%;"><span style="font-size: 14px;"><span style="font-style: italic;"><br /></span></span></span></div>
<span style="font-weight: bold;">KANDINSKI</span>, Charles: <span style="font-style: italic;">The Landings From Outer Space</span><span style="font-size: 85%;"><br />—from J.G. Ballard's "The Venus Hunters"</span><br />
<span style="font-weight: bold;"><br />KARSWELL</span>, Victor: <span style="font-style: italic;">A History of Early Modern Witchcraft</span><span style="font-size: 85%;"><br />—from James Hynes's <i>Publish and Perish</i></span><span style="font-weight: bold;">KEAR</span>, Alroy ("Roy"): <span style="font-style: italic;">Modern Novelists</span>, <span style="font-style: italic;">Russian Fiction</span>, <span style="font-style: italic;">Some Writers</span> (lectures); <span style="font-style: italic;">The Eye of the Needle</span> (novel)<br />
<span style="font-size: 85%;">—from W. Somerset Maugham's </span><span style="font-size: 85%; font-style: italic;">Cakes and Ale</span><br />
<br />
<span style="font-weight: bold;">KINK</span>, Henri: <span style="font-style: italic;">Les Constructions metalliques</span><br />
<span style="font-size: 85%;">—from Gilbert Sorrentino's </span><span style="font-size: 85%; font-style: italic;">Odd Number</span><br />
<br />
<br />
<span style="font-weight: bold;">KIPLING</span>, Jonathan: <span style="font-style: italic;">The Best of Youth </span>(ghost-written by Henry Lang)<br />
<span style="font-size: 13.333333969116211px;">—from Michael Dahlie's <span style="font-style: italic;">The Best of Youth</span></span><br />
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"><br /></span></span>
<br />
<span style="font-weight: bold;">KLOPPER</span>, Wilhelm: <span style="font-style: italic;">Die Kultur als Fehler</span><br />
<span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
<br />
<span style="font-weight: bold;">KLOPSTEIN</span>, Aaron: <i>Once More the Cicatrice</i>, <i>The Seagull Has No Friends</i> (novels); <i>The Hydraulic Facelift</i>, <i>Cat Hairs in the Custard</i> (poems); <i>Twenty Inches of Monkey</i> (short stories, "a title derived from an animal dealer's catalogue in which monkeys were advertised for vivisection at one dollar an inch"); <i>Shakespeare in Baby Talk </i>(critical essays). (Klopstein, "a suicide in Greenwich Village at the age of 33," "shot himself with an Amazonian blow gun.")<br />
<span style="font-size: 85%;">—from <span style="font-style: italic;">The Notebooks of Raymond Chandler</span></span><br />
<br />
<b>KNIGHT</b>, Sebastian:<br />
<blockquote>
<cite>The Doubtful Asphodel</cite><br />
<cite>The Funny Mountain</cite><br />
<cite>Lost Property</cite><br />
<cite>The Prismatic Bezel</cite><br />
<cite>Success</cite><br />
<span style="font-size: 85%;">—from Vladimir Nabokov's <cite>The Real Life of Sebastian Knight</cite></span></blockquote>
<b>KNOWN NOTKNOWN</b>: <span style="font-style: italic;">The Look When He's Not Looking</span><br />
<span style="font-size: 85%;">—from Carrie Olivia Adams's <span style="font-style: italic;">Intervening Absence</span></span><br />
<br />
<span style="font-weight: bold;">KOUSKA</span>, Cezar: <span style="font-style: italic;">De Impossibilitate Vitae</span> and <span style="font-style: italic;">De Impossibilitate Prognoscendi</span><br />
<span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
<br />
<b>KRAFT</b>, Fellowes:<br />
<blockquote>
<br />
<i>Bitten Apples</i> (novel of a young Shakespeare)<br />
<i>Bruno's Journey</i> (biographical novel about <a href="http://en.wikipedia.org/wiki/Giordano_Bruno">Giordano Bruno</a>)<br />
<cite>Ill-met by Moonlight</cite> (stories)<br />
<cite>The Court of Silk and Blood</cite> (St. Bartholomew's Night)<br />
<cite>A Passage at Arms</cite> (novel about privateers)<br />
<cite>Skin Deep</cite> (a piece of pornography, Herm Press)<br />
<cite>Scream Bloody Murder</cite><br />
<cite>Under Saturn</cite> (about Wallenstein)<br />
<br />
<span style="font-size: 85%;">—from <a href="http://crowleycrow.livejournal.com/">John Crowley</a>'s <a href="http://en.wikipedia.org/wiki/Aegypt"><cite>Aegypt</cite> cycle</a></span></blockquote>
<br />
<b>KUGEL</b>, Solomon: <i>Hello Darkness, My Old Friend</i><br />
—from Shalom Auslander's <i>Hope</i> </div>
Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com7tag:blogger.com,1999:blog-732670410210711961.post-41184004769314096212008-08-17T09:59:00.000-07:002018-05-31T08:44:54.638-07:00L<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNy9yUM7BnEGIZwZ9RKWL8fgKkZ2Xb40sKdAAs2qCxAe9FNss8TXw7CT-j8zUdzmQoBaAAGs60l6386QgWLfdlr3mfnP7-W2dXIrk1zLMOuWMYuh-oEgrOKILI5NFZcPm-StZz5XFFViY/s1600-h/30718_PE084916_S4.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5239028445067740402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNy9yUM7BnEGIZwZ9RKWL8fgKkZ2Xb40sKdAAs2qCxAe9FNss8TXw7CT-j8zUdzmQoBaAAGs60l6386QgWLfdlr3mfnP7-W2dXIrk1zLMOuWMYuh-oEgrOKILI5NFZcPm-StZz5XFFViY/s200/30718_PE084916_S4.jpg" style="cursor: pointer; float: right; margin: 0pt 0pt 10px 10px;" /></a><br />
<b>LAMONT</b>, Antony: <span style="font-style: italic;">Rayon Violet</span>, <span style="font-style: italic;">Baltimore Chop</span> ("they both got crucified, but then slowly he started to get a reputation"), <span style="font-style: italic;">Synthetic Ink</span> (pub. Crescent and Chattaway), <span style="font-style: italic;">Three Deuces</span><br />
<span style="font-size: 85%;">—from Gilbert Sorrentino's <span style="font-style: italic;">Mulligan Stew</span> and </span><span style="font-size: 85%; font-style: italic;">Odd Number</span><b><br /></b><br />
<div>
<b><span class="Apple-style-span" style="font-weight: normal;"><span style="font-weight: bold;"><br /></span></span></b>
<b><span class="Apple-style-span" style="font-weight: normal;"><span style="font-weight: bold;">LANDON</span>, Scott:</span></b><br />
<blockquote>
<b><span class="Apple-style-span" style="font-weight: normal;"><i>The Coaster's Daughter </i>(Winner of the National Book Award)</span></b><br />
<b><span class="Apple-style-span" style="font-weight: normal;"><i>Relics</i> (Winner of the Pulitzer Prize)</span></b></blockquote>
<b><span class="Apple-style-span" style="font-weight: normal;"><span style="font-size: 85%;">—from Stephen King's <i>Lisey's Story</i></span></span></b></div>
<div>
<b><br /><span style="font-weight: bold;">LASSO</span></b>, Uriah C.: <i>My Parents Didn't Steal an Elephant</i><b><br /></b><span style="font-size: 85%;">—from Louis Sachar's <i>There's a Boy in the Girls' Bathroom</i></span><br />
<br />
<span style="font-weight: bold;">LE GOFF</span>: <i>Magickal Historie</i><b><br /></b><span style="font-size: 85%;">—from Lev Grossman's <i>The Magicians</i></span><br />
<br />
<b>LEAR </b>(first name unknown): "a novel" (title unknown)<b><br /></b><span style="font-size: 85%;">—from the Beatles' "Paperback Writer"</span><b><br /><br />LEE</b>, Timothy: <span style="font-style: italic;">Between the Stitches</span><br />
<span style="font-size: 85%;">—from Sung J. Woo's <a href="http://www.sungjwoo.com/2009/11/the-last-leg-of-the-tour/">"Translation"</a></span><br />
<b><br /><span style="font-weight: bold;">LEGGATT</span></b>, Edward: <i>A Modern Artist: Notes on the Work of Charles Strickland</i><b><br /></b><span style="font-size: 85%;">—from W. Somerset Maugham's <i>The Moon and Sixpence</i></span><br />
<b><b><br /></b></b>
<b><b>LEMON,</b></b> Liz:<b><b> </b></b><span style="font-style: italic;">Dealbreakers: A Girl's Guide to Shutting It Down</span><br />
—from <span style="font-style: italic;">30 Rock</span> (Season 4, <a href="http://www.hulu.com/watch/103853/30-rock-into-the-crevasse">episode 2</a>)<b><b><br /><br />LEON</b>, </b>Hernando Garcia:<cite> The New Age and the Iberian Ladder</cite><b><br /></b><span style="font-size: 85%;">—from Roberto Bolano's <cite>The Savage Detectives</cite></span><br />
<br />
<b>LIPINSKY</b>, Sam Houston: <i>Lone Star Continent</i> (University of Texas at Minneapolis Press)<span class="Apple-style-span" style="color: #1a1a1a; font-family: "arial"; font-size: 17px;"></span><br />
<span class="Apple-style-span" style="font-size: x-small;">—from Fritz Leiber's </span><i><span class="Apple-style-span" style="font-size: x-small;">A Specter is Haunting Texas</span></i><br />
<i><span class="Apple-style-span" style="font-size: x-small;"><br /></span></i>
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<b><b>LONGSTRIDER</b>, </b>Lomas:<cite> Wonders, Wonders Made by Man</cite><b><br /></b><span style="font-size: 14px;">—from George R. R. Martin's <cite>A Dance with Dragons</cite></span><br />
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<b><b>LONOFF</b>, </b>E.I.:<cite> It's Your Funeral <span style="font-style: normal;">(1927)</span></cite><b><br /></b><span style="font-size: 14px;">—from Philip Roth's <cite>The Ghost Writer</cite></span><br />
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<b>LUNA MOTH</b>: <span style="font-style: italic;">A Short Short</span><br />
<span style="font-size: 85%;">—from Carrie Olivia Adams's <span style="font-style: italic;">Intervening Absence</span></span></div>
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<span class="Apple-style-span" style="font-size: small;"><b>LYES, </b>Gwyneth<b>: </b></span><i><span class="Apple-style-span" style="font-size: small;">Glendowyn and the Firth of Forth <span class="Apple-style-span" style="font-style: normal;">("The fifth installment in the life and times of a travelling sorceress in medieval Mexico"; has spent 129 weeks on the bestseller list)</span></span></i></div>
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<span class="Apple-style-span" style="font-size: small;"><i><span class="Apple-style-span" style="font-size: 16px; font-style: normal;"><span class="Apple-style-span" style="font-size: small;">—from Gary Walkow's film <i>Crashing</i></span></span></i></span></div>
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Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com58tag:blogger.com,1999:blog-732670410210711961.post-85532178838584790632008-08-17T09:58:00.000-07:002019-05-14T20:52:13.675-07:00M<span style="font-weight: bold;">McCAIGH </span>(first name unknown, aka "The Iron Man")<span style="font-weight: bold;">: </span><span class="Apple-style-span" style="font-style: italic;">The Riddle of the Onyx Hand, The Washington Square Enigma</span><span class="Apple-style-span">, others<br /><span style="font-size: 85%;">—from Harry Stephen Keeler's <a href="http://thesnarl.blogspot.com/2009/01/confusion-is-next.html"><span style="font-style: italic;">Sing Sing Nights</span></a></span></span><span style="font-weight: bold;"><br /></span><br />
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<span style="font-weight: bold;"><br /></span><span style="font-weight: bold;">MacCOMEROU, Adam: </span><i>Homicidal Psychopathology: Selected Case Histories in the Problems of Homicidal Psychopathology, Together with a Brief Inquiry into Certain Aspects of Aberrant and Divided Personality Among Men of Superior Mentality, by Adam MacComerou, A.B., Ph.D., Litt.D. (causa honoris, Chicago), Sc.D. (Yale), LL.D. (Swarthmore, Columbia, McGill), Lowell Professor of Psychology at Harvard </i><br />
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<span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: small;">—from Joel Townsley Rogers's </span><i><span class="Apple-style-span" style="font-size: small;">The Red Right Hand</span></i></span></span><br />
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<span style="font-weight: bold;">McFADDEN, Wellesley: <i><span class="Apple-style-span" style="font-weight: normal;">French Curve</span> </i><span class="Apple-style-span" style="font-weight: normal;">("An architect on vacation in Europe falls under the sway of a malevolent French design student")</span></span><br />
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<span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: small;">—from the Gary Walkow film </span><i><span class="Apple-style-span" style="font-size: small;">Crashing</span></i></span></span></div>
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<span style="font-size: 85%;"><b>McFLY</b>, George: <i>A Match Made in Space</i></span><br />
<span style="font-size: 13.6px;">—from the Robert Zemekis film <i>Back to the Future</i></span><br />
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<span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: small;"><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguni4qfu2rv-a7EXls9byZQ8ro9GsfMtxk4cLYQaLuv8HefpghozkmG5m5IQuvWQIjyMgOMNC3nMWCzsIoiBEJLXE01YZ00oDvht8-WGR9QofpghTUIz8GKlHwXRS6L-aQDDXNY-xZpy0/s1600/A_Match_Made_in_Space.png" imageanchor="1"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguni4qfu2rv-a7EXls9byZQ8ro9GsfMtxk4cLYQaLuv8HefpghozkmG5m5IQuvWQIjyMgOMNC3nMWCzsIoiBEJLXE01YZ00oDvht8-WGR9QofpghTUIz8GKlHwXRS6L-aQDDXNY-xZpy0/s400/A_Match_Made_in_Space.png" /></a><img height="16" id="1pb6wzmqaa4c" src="data:image/gif;base64,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" width="16" /></i></span></span></span><br />
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<span style="font-weight: bold;">McMURRAY, Richard: <i><span class="Apple-style-span" style="font-weight: normal;">The Trouble With Dick <span class="Apple-style-span" style="font-style: normal;">("A science fiction writer struggles to complete his first novel and maintain his sanity while sharing his house with three very different women")</span></span></i></span></div>
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<span class="Apple-style-span" style="font-size: small;">—from the Gary Walkow film </span><i><span class="Apple-style-span" style="font-size: small;">Crashing</span></i><span class="Apple-style-span" style="font-size: small;"><br /></span><br />
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<span style="font-weight: bold;">MALCO<span style="font-weight: normal;">, Jacob: </span><span style="font-style: italic; font-weight: normal;">The Mellowcraft Papers</span><span style="font-size: 13.333333969116211px; font-weight: normal;"><br />—from the Netflix series <i>Easy</i> (season 2, episode 5)</span></span><br />
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<b>MALLEON<span class="Apple-style-span" style="font-weight: normal;">, Grand Master: <span style="font-style: italic;">The Lineages and Histories of the Great Houses of the Seven Kingdoms, With Descriptions of Many High Lords and Noble Ladies and Their Children</span><br /><span style="font-size: 14px;">—from George R. R. Martin's <i>A Game of Thrones</i></span></span></b><br />
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<b>MANGROVE<span class="Apple-style-span" style="font-weight: normal;">, Reginald: <span style="font-style: italic;">Hell Is Other People</span><br /><span style="font-size: 14px;">—from Jonathan Ames's <i>Wake Up, Sir!</i></span></span></b></div>
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<b>MANIPULATE: </b><i>Stone Cold Bummer</i></div>
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<span class="Apple-style-span" style="font-size: small;">—from </span><i><span class="Apple-style-span" style="font-size: small;">30 Rock</span></i><span class="Apple-style-span" style="font-size: small;"> (season 4, ep. 21)</span></div>
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<span style="font-weight: bold;">MAREN<span style="font-weight: normal;">, Robert Mosley: </span><span style="font-style: italic; font-weight: normal;">The Mellowcraft Papers</span><span style="font-size: 13.333333969116211px; font-weight: normal;"><br />—from Ambrose Bierce's "Isle of Pines"</span></span><br />
<span style="font-size: x-small;"><i><br /></i></span><b>MARK</b>, John James:<span style="font-weight: bold;"> </span><span style="font-style: italic;">The Case of the Missing Tin-Opener</span><span style="font-weight: bold;"><br /></span><span style="font-size: 85%;">—from Josephine Tey's <span style="font-style: italic;">Daughter of Time</span></span><span style="font-weight: bold;"><br /></span><span style="font-weight: bold;"><br />MARRIOT</span>, Solange: <span style="font-style: italic;">Rien du tout, ou la conséquence</span><br />
<span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
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<span style="font-weight: bold;">MARVIN</span>, Dr. Leo: <span style="font-style: italic;">Baby Steps</span><span style="font-size: 85%;"><br />—from Frank Oz's <span style="font-style: italic;">What About Bob?</span></span><br />
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<span style="font-weight: bold;">MARWYN</span>, Maester: <i>Book of Lost Books</i><span style="font-size: 14px;"><br />—from George R. R. Martin's <span style="font-style: italic;">A Feast for Crows</span></span><br />
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<span style="font-weight: bold;">MARZENTZ</span>, Hugo: <span style="font-style: italic;">Are Snakes Necessary</span><br />
<span style="font-size: 85%;">—from Preston Sturges's<span style="font-style: italic;"> The Lady Eve</span></span><br />
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<b>MATURIN, </b> Stephen: <i> Diseases of Seamen </i><br />
<span style="font-size: 85%;">—from Patrick O'Brian's <i> Clarissa Oakes</i>, et al.</span><br />
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<span style="font-weight: bold;">MAYHEW</span>, W.P.: <span style="font-style: italic;">Nebuchadnezzer</span><br />
<span style="font-size: 85%;">—from the Coen Brothers film <a href="http://www.imdb.com/character/ch0012821/quotes"><span style="font-style: italic;">Barton Fink</span></a></span><br />
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<span style="font-weight: bold;">MEADOWS</span>, Harold: <span style="font-style: italic;">The Secret of Making Love</span><br />
<span style="font-size: 85%;">—from the Harold Lloyd film <a href="http://radio.villagevoice.com/2005-04-12/film/freshman-orientation"><span style="font-style: italic;">Girl Shy</span></a></span><br />
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<b>MEARS</b>, Benjamin: <i>Air Dance</i></div>
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<span class="Apple-style-span" style="font-size: small;">—from Stephen King's ’<i>Salem's Lot</i></span></div>
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<span style="font-weight: bold;">MEEKER</span>, Ralph Warden: <span style="font-style: italic;">Obstinate Dust</span><br />
<span style="font-size: 85%;">—from Jonathan Lethem's <span style="font-style: italic;">Chronic City</span></span><br />
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<span style="font-weight: bold;">MERRILL</span>, Simon: <span style="font-style: italic;">Sexplosion</span><br />
<span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
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<span style="font-weight: bold;">"A MINOR NOVELIST"</span>: <span style="font-style: italic;">The Sores</span><br />
<span style="font-size: 85%;">—from Harry Mathews's <span style="font-style: italic;">The Conversions</span></span><br />
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<span style="font-weight: bold;">MLATJE</span>, Kuno: <span style="font-style: italic;">Odysseus of Ithaca</span><br />
<span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4g6okaZDH6CD2AEoGJV9lhSg127DXSWktIrQItwxFIyF_Hm8QGEpLD7wbmPOyRrYongj976_8OYY6BFThuG7hVz6PjO95qFv9oxSDUrGLZSodNj9olujCqBN_6wbTlZ3QGtiSsSCV9ws/s1600/Georgeyourfirstnovel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4g6okaZDH6CD2AEoGJV9lhSg127DXSWktIrQItwxFIyF_Hm8QGEpLD7wbmPOyRrYongj976_8OYY6BFThuG7hVz6PjO95qFv9oxSDUrGLZSodNj9olujCqBN_6wbTlZ3QGtiSsSCV9ws/s1600/Georgeyourfirstnovel.jpg" /></a></div>
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<span style="font-weight: bold;">MONK</span>:<br />
<span style="font-style: italic;">Ashes to Ashes</span><br />
<span style="font-style: italic;">Dust to Dust</span><br />
<span style="font-size: 85%;">—from Abraham Rodriguez's <span style="font-style: italic;">South by South Bronx</span></span><br />
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<span style="font-weight: bold;">MONTSTUART</span>, Logan: <br />
<blockquote>
<cite>Any Human Heart: The Intimate Journals of Logan Montstuart</cite><br />
<cite>The Cosmopolitans</cite><br />
<cite>The Girl Factory</cite><br />
<cite>The Mind's Imaginings</cite><br />
<cite>This Is Not an Exit: Essays on Art and Literature</cite><br />
<cite>The Villa by the Lake</cite><br />
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<span style="font-size: 85%;">—from <a href="http://en.wikipedia.org/wiki/William_Boyd_%28writer%29">William Boyd's</a> <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9781400031009"><cite>Any Human Heart</cite></a></span></blockquote>
<span style="font-weight: bold;">MORGAN</span>, Eunice Eliot: <span style="font-style: italic;">Ramba of Macedon</span> ("a historical novel about a female gladiator...which was a bestseller in 1936")<br />
<span class="Apple-style-span" style="font-size: small;">—from Kurt Vonnegut's </span><span style="font-style: italic;"><span class="Apple-style-span" style="font-size: small;">God Bless You, Mr. Rosewater</span></span><span class="Apple-style-span" style="font-size: small;"><br /></span><span style="font-weight: bold;"><br />MORRISON</span>, Kirk (aka Gideon Starorzewski, "King Mob"): <span style="font-style: italic;">Dis</span>, <span style="font-style: italic;">The Killing Moon</span><br />
<span style="font-size: 85%;">—from Grant Morrison's <span style="font-style: italic;">The Invisibles</span></span><br />
<span style="font-size: 85%;"><i style="font-size: 85%;"><br /></i><span style="font-size: 100%;"><span style="font-weight: bold;">MORTON</span>, Sarah: </span><span style="font-style: italic;"><span style="font-size: 100%;">Dorwell Wears a Kilt</span></span></span><br />
<span style="font-size: 85%;">—from the François Ozon film <span style="font-style: italic;">Swimming Pool</span></span></div>
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Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com14tag:blogger.com,1999:blog-732670410210711961.post-33469887505543657062008-08-17T09:57:00.000-07:002012-02-07T16:58:25.887-08:00N<span style="font-weight: bold;">N.</span>, Vadim Vadimovich:<i> Tamara</i> (1925),<i> Pawn Takes Queen</i> (1927),<i> Plenilune</i> (1929), <i>Camera Lucida (Slaughter in the Sun)</i>, <i>The Red Top Hat</i> (1934), (1950), <i>The Dare</i> (1950), <i>See under Real</i> (1939), <i>Esmeralda and Her Parandrus</i> (1941),<i> Dr. Olga Repnin</i> (1946), <i>Exile from Mayda</i> (1947), <i>A Kingdom by the Sea</i> (1962), <i>Ardis</i> (1970)<br /><span style="font-size:85%;">—from Vladimir Nabokov's <span style="font-style: italic;">Look at the Harlequins!</span></span><br /><br /><span style="font-weight: bold;">NASO</span>, Ovidius: "a poem...written in the Getick language during his exile at Tomi and found wrapt up in wax at Sabaria..."<br /><span style="font-size:85%;">—in Thomas Browne's <span style="font-style: italic;">Musæum Clausum</span>, from W.G. Sebald's <span style="font-style: italic;">The Rings of Saturn</span></span><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9cXufvwPu8mMXYM0lCNw9SjTtj21H8pqiOAcPKx1yWYjMrF1DBql5BeqJzscDaLz7yOJzMS_w6M3KqMsHgumXmd13eiM0idZyk2SHJr8BnSzOc5xxgnUOwFzb0iEEU4bzcAP3MILmttM/s1600-h/2.3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9cXufvwPu8mMXYM0lCNw9SjTtj21H8pqiOAcPKx1yWYjMrF1DBql5BeqJzscDaLz7yOJzMS_w6M3KqMsHgumXmd13eiM0idZyk2SHJr8BnSzOc5xxgnUOwFzb0iEEU4bzcAP3MILmttM/s400/2.3.jpg" alt="" id="BLOGGER_PHOTO_ID_5352091890272099970" border="0" /></a><br /><br /><span style="font-weight: bold;">NIMMO</span>, Franklin Saltonstall: <span style="font-style: italic;">Incidents of Jersey History; with an etymological gazeteer of Atlantic, Cape May & Cumberland Counties; with four folding maps and many figures. To be had of the Author at his bookshop, 2 Bivalve Gate, Cape May, Jersey. 1926.<br /></span><span>—from Robert Kelly's</span><span style="font-style: italic;"> <a href="http://personaldaysthenovel.blogspot.com/2008/06/rarities.html">The Scorpions</a><br /><br /></span><span><span style="font-weight: bold;">NOORDIN</span>, Maulvi: </span><em>One Thousand Ways of Producing Money<br /></em><span>—from Muhammad Khalid Akhtar's <a href="http://wordswithoutborders.org/article/the-monthly-ulloo/">"The 'Monthly Ulloo'"<span style="font-style: italic;"></span></a></span><span style="font-style: italic;"><br /></span><em><br /></em><div><em><b><span class="Apple-style-span" style="font-style: normal;">NOVACK</span></b><span class="Apple-style-span" style="font-style: normal;">, Chandler:</span> Care of Wooden Floors</em></div><div>—from Will Wiles's <em>Care of Wooden Floors<br /></em><div><em><br /></em><div><b>NUTTER</b><em>, </em>Agnes:<em> The Nice and Accurate Prophecies of Agnes Nutter, Witch</em></div><div><span class="Apple-style-span" style="font-size:medium;">—from Neil Gaiman and Terry</span><em><span class="Apple-style-span" style="font-size:medium;"> Pratchett's Good Omens</span></em></div><div><div><i><span class="Apple-style-span" style=" font-style: normal; font-family:arial, verdana, helvetica, sans-serif;font-size:12px;"><br /></span></i></div></div></div></div>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com8tag:blogger.com,1999:blog-732670410210711961.post-55199850061942013272008-08-17T09:56:00.000-07:002010-11-28T19:18:17.086-08:00O<span style="font-weight: bold;">OAKLEY</span><span>, Oscar: [Unknown, featuring "Toughs talking out of the corners of their mouths in synthetic American that had neither the wit nor the pungency of the real thing....Very remarkably bunk."]</span><span style="font-weight: bold;"><br /></span><span style="font-size:85%;">—from Josephine Tey's <span style="font-style: italic;">Daughter of Time</span></span><span style="font-weight: bold;"><br /></span><span style="font-weight: bold;"><br />O'FALLON, Vendla:</span> <span style="font-style: italic;">Daddy's Girl</span> (<span style="font-style: italic;">New York Times</span>: "astonishing" and "courageous" and "deeply satisfying")<br /><span style="font-size:85%;">—from Jonathan Franzen's <span style="font-style: italic;">The Corrections</span></span><div><span style="font-size:85%;"><span style="font-style: italic;"><br /></span></span></div><div><span style="font-size:85%;"><span style="font-style: italic;"><span class="Apple-style-span" style="font-style: normal; font-size: 16px; "><span style="font-weight: bold; ">OWEN, Michael:</span> <i>Accidents Will Happen</i>, </span><span class="Apple-style-span" style="font-size: 16px; ">The Loving Touch<span class="Apple-style-span" style="font-style: normal;">, </span></span><span class="Apple-style-span" style="font-size: 16px; ">The Winshaw Legacy: A Family Chronicle <span class="Apple-style-span" style="font-style: normal;">(Peacock Press, 1991)</span></span></span></span></div><div><span style="font-size:85%;"><span style="font-style: italic;"><span class="Apple-style-span" style="font-style: normal; font-size: 16px; "><span style="font-size: 14px; ">—from Jonathan Coe's <span style="font-style: italic; ">The Winshaw Legacy: What a Carve-Up!</span></span></span></span></span></div><div><span style="font-size:85%;"><span style="font-style: italic;"><span class="Apple-style-span" style="font-style: normal; font-size: 16px; "><span style="font-size: 14px; "><span style="font-style: italic; "><br /></span></span></span></span></span></div>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com37tag:blogger.com,1999:blog-732670410210711961.post-56707362502398315602008-08-17T09:55:00.000-07:002019-01-12T18:06:19.470-08:00P<span style="font-weight: bold;"></span><br />
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<span style="font-weight: bold;"><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><b>PARLOV</b>, D.C.: The Skyfire Cycle</span></span></span><br />
<span style="font-weight: bold;"><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span style="font-size: 14px;">—from <i>Brooklyn Nine-Nine </i>(season 4, episode 8; season 5, episode 8)</span></span></span></span><br />
<span style="font-weight: bold;"><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span style="font-size: 14px;"><br /></span></span></span></span>
<span style="font-weight: bold;"><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span style="font-weight: bold;">PASHLEY-DRAKE</span>, Colonel Francis: <i>My Life with Rod and Gun</i><br /><span style="font-size: 14px;">—from P. G. Wodehouse's "A Good Cigar is a Smoke"</span></span></span></span></div>
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<span style="font-weight: bold;"><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span style="font-size: 14px;"><br /></span></span></span>
<span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><b>PATOVA</b>, Anna: <i>I Thought of Architecture</i></span></span></span><br />
<span style="font-weight: bold;"><span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span style="font-size: 14px;">—from Renee Gladman's <i>The Ravickians</i></span></span></span></span><br />
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PATTERSON</span>, M. Halsey: <i>Yes, I Drank the Kool-Aid—and I Went Back for Seconds</i><br />
<span style="font-size: 85%;">—from Ed Park's <a href="http://ed-park.com/index.html"><span style="font-style: italic;">Personal Days</span></a></span><br />
<span style="font-weight: bold;"><br />PEEK, PROWCOSH, WITAMOOR, SIRIN, GRAE (Bros.)</span>: <span style="font-style: italic;">The Refraction of Light in a Prison (Being an Account of the Truffidian Monks Held in the Dungeons of the Kalif, For They Have Not Given Up Sanity, or Hope)</span><br />
<span style="font-size: 85%;">—from <a href="http://www.jeffvandermeer.com/">Jeff VanderMeer</a>'s <span style="font-style: italic;">City of Saints and Madmen</span></span><br />
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<span style="font-weight: bold;">PEIFER, Rob</span>: <span style="font-style: italic;">Callistra: The Hunt for the Devil’s Eye</span><br />
<span style="font-size: 85%;">—from Jack McDevitt's <span style="font-style: italic;">The Devil's Eye</span></span><br />
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<span style="font-weight: bold;">PEMBURY, </span>Evangeline (Mrs. Egbert Mulliner): <span style="font-style: italic;">Parted Ways</span><br />
<span style="font-size: 85%;">—from P.G. Wodehouse's "Best Seller," in <span style="font-style: italic;">Mulliner Nights</span></span><br />
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<span style="font-weight: bold;">PENNYMAN</span>, Adam: <span style="font-style: italic;">The Catalogue of Obsolete Entertainments</span><br />
<span style="font-size: 85%;">—from D.B. Weiss's <a href="http://www.luckywanderboy.com/"><span style="font-style: italic;">Lucky Wander Boy</span></a></span><br />
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<b>PENROSE, Robin</b>:<br />
<blockquote>
<cite>Domestic Angels and Unfortunate Females: Woman as Sign and Commodity in Victorian Fiction</cite><br />
<cite>The Industrious Muse: Narrativity and Contradiction in the Industrial Novel</cite></blockquote>
<span style="font-size: 85%;">—from <a href="http://en.wikipedia.org/wiki/David_Lodge_%28author%29">David Lodge</a>'s <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780140133967"><cite>Nice Work</cite></a></span><br />
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<span style="font-weight: bold;">PFARRER</span>, Sandra: <span style="font-style: italic;">Point of Order, Oliver</span><br />
<span style="font-size: 85%;">—from the Coen Brothers' <span style="font-style: italic;">Burn After Reading</span></span><br />
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<b>PINCKNEY, Leila J.</b>:<br />
<blockquote>
<cite>Heather o' the Hills</cite><br />
<cite>The Love Which Prevails</cite><br />
<cite>Rupert's Legacy</cite><br />
<cite>Scent o' the Blossom</cite> (wherein Edgar saves Maud from drowning)<br />
. . . and 136 more novels whose titles are lost to posterity</blockquote>
<span style="font-size: 85%;">—from <a href="http://en.wikipedia.org/wiki/P._G._Wodehouse">P. G. Wodehouse's</a> <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9781585672752">"Honeysuckle Cottage"</a></span><br />
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<span style="font-weight: bold;">PLATOCRATES</span>, <span style="font-style: italic;">The World Beyond the Suburbs of Glendale</span><br />
<span style="font-size: 85%;">—from Joe Daly's <span style="font-style: italic;">Dungeon Quest</span> (Book One)</span><br />
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<span style="font-weight: bold;">PLOVER</span>, Christopher: <a href="http://christopherplover.com/twitw.html"><span style="font-style: italic;">The World in the Walls</span></a>, <span style="font-style: italic;">The Girl Who Told Time</span>, <span style="font-style: italic;">The Flying Forest</span>, <span style="font-style: italic;">The Secret Sea</span><br />
<span style="font-size: 85%;">—from <a href="http://www.latimes.com/entertainment/news/la-ca-grossman16-2009aug16,0,7014775.story">Lev Grossman</a>'s <a href="http://christopherplover.com/"><span style="font-style: italic;">The Magicians</span></a></span><br />
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<span style="font-weight: bold;">POISSEL</span>, Paul: <span style="font-style: italic;">Journals</span>, <span style="font-style: italic;">Antinomies</span>, <span style="font-style: italic;">Scottish Sketches</span>, <span style="font-style: italic;">Divan Divin</span> (play), <span style="font-style: italic;">History of Misunderstanding</span><br />
<span style="font-size: 85%;">—from Paul La Farge's "The Effect of Winter," afterword to Paul Poissel's <span style="font-style: italic;">The Facts of Winter</span></span><br />
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<span style="font-weight: bold;">POLTON</span>, Dub: <span style="font-style: italic;">So This Is Omaha</span>, <span style="font-style: italic;">Hoosier Wizard</span><br />
<span style="font-size: 85%;">—from Charles Portis's <a href="http://www.believermag.com/issues/200303/?read=article_park"><span style="font-style: italic;">Masters of Atlantis</span></a></span><br />
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<span style="font-weight: bold;">POLYP</span>, Asterios: <span style="font-style: italic;">Modernism With a Human Face</span>, <span style="font-style: italic;">The Seeds of Design</span><br />
<span style="font-size: 85%;">—from David Mazzucchelli's <span style="font-style: italic;">Asterios Polyp</span></span><br />
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<span style="font-weight: bold;">POPPER</span>, Amelia: <i>Practical Exercises for Young Magicians</i><b><br /></b><span style="font-size: 85%;">—from Lev Grossman's <i>The Magicians</i></span><br />
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<span style="font-weight: bold;">POTTAGE</span>, Reverend J. W. : <i> Plinths, Plinths, Plinths</i>;<i> So You Think You Know about Plinths?</i><b><br /></b><span style="font-size: 14px;">—from Jonathan Coe's <i>The Winshaw Legacy: What a Carve-Up!</i></span></div>
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<span style="font-weight: bold;">PRATT</span>, Chester: <i>Burn All Your Cities</i><br />
<span style="font-size: 13.6000003814697px;">—from Richard Yates's <i>Disturbing the Peace</i></span><br />
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<b>PRICE</b>, Gertrude: <i>The Francine Odysseys</i><br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span class="Apple-style-span" style="font-size: x-small;">—from Wes Anderson's film </span><i><span class="Apple-style-span" style="font-size: x-small;"><a href="http://insidemovies.ew.com/2012/06/07/moonrise-kingdom-animation/">Moonrise Kingdom</a></span></i></div>
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<span style="font-weight: bold;">PRINN</span>, Ludvig: <span style="font-style: italic;">Mysteries of the Worm</span> (<span style="font-style: italic;">De Vermis Mysteriis</span>)<br />
<span style="font-size: 85%;">—from Robert Bloch's "The Secret in the Tomb" and H.P. Lovecraft's "The Haunter of the Dark"</span><br />
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<span style="font-weight: bold;">PRODE THE YOUNGER</span>: <i>Baron Lepessi</i><br />
<span style="font-size: 85%;">—from Iain M. Banks's <a href="http://ed-park.com/index.html"><span style="font-style: italic;">Matter</span></a></span><br />
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<span style="font-weight: bold;">PROPP</span><span style="font-weight: bold;"> Victor</span>: <i>New Haven Evenings </i>("A delicate coming-of-age novel...<span style="background-color: white;">The story of a Propp-like second-generation American who goes to Yale to become a poet and falls in love with a duplicitous Daughter of the American Revolution, it collected respectful, encouraging reviews.")</span><br />
<span style="font-size: 13.6px;">—from Jay McInerney's <i><a href="https://www.nytimes.com/books/98/09/27/specials/mcinerney-falls.html">Brightness Falls</a></i></span><br />
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<span style="font-weight: bold;">PUTTER</span>, Mr.: <i>The Mystery of Lighthouse Cove</i> (unfinished); <i>Good Things</i><br />
<span class="Apple-style-span" style="font-size: x-small;">—from Cynthia Rylant's </span><i><span class="Apple-style-span" style="font-size: x-small;">Mr. Putter & Tabby Write the Book</span></i><br />
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<span style="font-weight: bold;">PYTHEAS OF MARSEILLES</span>: "fragment of an account...according to which all the air beyond Thule is thick, condensed and gellied, looking just like sea lungs."<br />
<span style="font-size: 85%;">—"referred to in Strabo," in Thomas Browne's <span style="font-style: italic;">Musæum Clausum</span>, from W.G. Sebald's <span style="font-style: italic;">The Rings of Saturn</span></span></div>
Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com253tag:blogger.com,1999:blog-732670410210711961.post-21456474198782153172008-08-17T09:54:00.000-07:002014-03-28T17:50:43.360-07:00Q<span style="font-weight: bold;">QUIGGIN</span>, J. G.: <cite>Unburnt Boats</cite><br />
<span style="font-size: 85%;">—from Anthony Powell's <cite>A Dance to the Music of Time</cite></span><br />
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<span style="font-weight: bold;">QUILTY</span>, Clare: <span style="font-style: italic;">The Little Nymph</span>, <span style="font-style: italic;">The Lady who Loved Lightning</span> (in collaboration with Vivian Darkbloom), <span style="font-style: italic;">Dark Age</span>, <span style="font-style: italic;">The Strange Mushroom</span>, <span style="font-style: italic;">Fatherly Love</span>, <span style="font-style: italic;">The Enchanted Hunters</span> (plays)<br />
<span style="font-size: 85%;">—from Vladimir Nabokov's <span style="font-style: italic;">Lolita</span></span><br />
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<span style="font-weight: bold;">QUINN</span>, Bly: <cite>Hesitation Cuts: Short Stories</cite><br />
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<span style="font-size: 14px;">—from Samuel Holt's <cite>What I Tell You Three Times Is False</cite></span>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com3tag:blogger.com,1999:blog-732670410210711961.post-34008189909594253872008-08-17T09:53:00.000-07:002017-05-25T06:31:48.358-07:00R<span style="font-weight: bold;">RASH</span>, Charles Cheatham: <span style="font-style: italic;">The One Who Is Watching Me Through the Window</span><span style="font-weight: bold;"><br /></span><span style="font-size: 14px;">—From Kelly Link's</span><span style="font-size: 14px;"> </span><span style="font-size: 14px;">"The Specialist's Hat"</span><br />
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<span style="font-weight: bold;">RAWCLIFFE</span>, A.: <span style="font-style: italic;">Balls and Talk: Poems 1936</span> (listed in "the catalogue of the ill-fated Gorgon Press, which specialised in verse printed at the author's own expense")<span style="font-weight: bold;"><br /></span><span style="font-size: 85%;">—from Anthony Burgess's <span style="font-style: italic;">Enderby</span></span><br />
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<span style="font-weight: bold;">RAY</span>, John, Jr., PhD: <span style="font-style: italic;">Do the Senses Make Sense?</span><span style="font-weight: bold;"><br /></span><span style="font-size: 85%;">—From Vladimir Nabokov's <span style="font-style: italic;">Lolita</span></span><span style="font-weight: bold;"><br /></span><br />
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<span style="font-weight: bold;">REESE, Thomas: </span><i>Radio Mary </i>("A homicide detective hunting for a new kind of killer gets involved with a woman with telepathic abilities, his link to the killer")</div>
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<span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: small;">—from Gary Walkow's film <i>Crashing</i></span></span></span><br />
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<span style="font-weight: bold;"><br />RICH,</span> Aristotle: <span style="font-style: italic;">Girls, Grapes, and Snow</span><br />
<span style="font-size: 85%;">—from Gilbert Sorrentino's <span style="font-style: italic;">Mulligan Stew</span></span><br />
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<b>RODMAN</b>, James: <cite>The Secret Nine</cite><br />
<span style="font-size: 85%;">—from <a href="http://en.wikipedia.org/wiki/P._G._Wodehouse">P. G. Wodehouse's</a> <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9781585672752">"Honeysuckle Cottage"</a></span><br />
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<span style="font-weight: bold;">ROSENBAUM</span>, Benjamin: "A Discourse on the Nature of Causality, with Air-Planes"<br />
<span style="font-size: 85%;">—from Benjamin Rosenbaum's "Biographical Notes to 'A Discourse on the Nature of Causality, with Air-Planes,' " in <span style="font-style: italic;"><a href="http://www.latimes.com/features/books/la-caw-astral-weeks2-2008nov02,1,5009629.story">The Ant King</a></span></span><br />
<span style="font-size: 85%;"><br /></span></div>
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<span style="font-weight: bold;">ROSENKRANTZ</span>, Shem: <span style="font-style: italic;">Encolpius</span>,<span style="font-style: italic;"> In Justice </span>(play), <span style="font-style: italic;">Only 'Til Seven</span>,<span style="font-style: italic;"> Sweet as Summer</span><span style="font-weight: bold;"><br /></span><span style="font-size: 15.555556297302246px;">—from Ariel S. Winter's <i>The Twenty-Year Death</i></span><br />
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<span style="font-weight: bold;">ROSENWALD</span>, Severin: <i>Cruising the Flat Surface</i>,<span style="font-style: italic;"> Kangaroo Music</span>, <span style="font-style: italic;">Peckerhead </span>(Winner of the National Book Critics Circle Award)<span style="font-weight: bold;"><br /></span><span style="font-size: 15.555556297302246px;">—from Matthew Specktor's <i>American Dream Machine</i></span><br />
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<b>ROSENBLAB</b>, Ron: <i>Hitler Was a Jerk</i></div>
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<span class="Apple-style-span" style="font-size: small;">—from <a href="http://www.simpleton.com/19980907.html">Simpleton</a>'s "The Noodgy Neoplatonist: The Lesser Goldsboro: Watcing Bobby Grow"</span></div>
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<span style="font-weight: bold;">ROSS</span>, Mattie: “You will now listen to the sentence of the law, Odus Wharton, which is that you be hanged by the neck until you are dead, dead dead! May God, whose laws you have broken and before whose dread tribunal you must appear, have mercy upon your soul. Being a personal recollection of Isaac C. Parker, the famous Border Judge"<br />
<span style="font-size: 85%;">—from Charles Portis's <a href="http://www.believermag.com/issues/200303/?read=article_park#footnote4"><span style="font-style: italic;">True Grit</span></a></span><br />
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<span style="font-weight: bold;">ROTH</span>, Hampton: <span style="font-style: italic;">The Decline of Almost Everything</span><br />
<span style="font-size: 85%;">—from Adam Brooks's film <span style="font-style: italic;"><a href="http://www.imdb.com/title/tt0832266/">Definitely, Maybe</a></span></span><br />
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<span style="font-weight: bold;">ROUGE</span>, Rupert: <span style="font-style: italic;">Bells on Her Toes</span><br />
<span style="font-size: 13.333333969116211px;">—from Josephine Tey's <i>Daughter of Time</i></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">ROUSSELOT</span>, Alvaro: <span style="font-style: italic;">The Archives of the Calle Peru, The Juggler's Family, Life of a Newlywed, Solitude</span><span style="font-weight: bold;"><br /></span><span style="font-size: 100%;">—From Roberto Bolano's "Alvaro Rousselot's Journey"</span><br />
<span style="font-size: 100%;"><br /></span>
<span style="font-weight: bold;">RUM-BUBBA</span>, X.: <span style="font-style: italic;">Dioretix: The Science of Matter Over Mind</span><br />
<span style="font-size: 100%;"></span><br />
<span style="font-size: 13.3333px;">—from Alex Cox's <i><a href="http://www.therpf.com/showthread.php?t=47192&page=6">Repo Man</a></i></span><br />
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Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com1tag:blogger.com,1999:blog-732670410210711961.post-70223509393768312632008-08-17T09:51:00.001-07:002019-05-14T20:36:03.880-07:00S<b>S_________</b>: "The Red Button" (in "an anthology of Palestinian literature...one of those plump, poorly printed, catchall UNESCO jobs")<br />
<span style="font-size: 85%;">—from Jonathan Tel's "A Story About a Bomb," in <span style="font-style: italic;">Arafat's Elephant</span></span><br />
<span style="font-size: 85%;"><span style="font-style: italic;"><br /></span><span style="font-weight: bold;"><span class="Apple-style-span" style="font-size: small;">SANTIAGO, </span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: small;">Bento</span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-weight: normal;">:</span> </span></span><span style="font-style: italic;"><span class="Apple-style-span" style="font-size: small;">History of the Suburbs</span></span></span><br />
<span style="font-size: 85%;"><span style="font-style: italic;"><span class="Apple-style-span" style="font-size: medium;"></span></span>—from Machado de Assis' <span style="font-style: italic;">Dom Casmurro</span></span><b><br /></b><br />
<span style="font-size: 85%;"><span style="font-style: italic;"><br /></span></span>
<b>ST. CLAIR, </b>Raleigh<b>: </b><i>Dudley's World; The Peculiar Neurodegenerative Inhabitants of the Kazawa Atoll</i><br />
<b><span class="Apple-style-span" style="font-size: 14px; font-weight: normal;">—from Wes Anderson's <i><a href="http://www.criterion.com/current/posts/2406-the-tenenbaums-and-co-in-print">The Royal Tenenbaums</a></i></span></b><br />
<b><br /></b>
<b>ST.-PHALLE, </b>Alexis Payne de:<cite> Dictionary of the Devils, Deities and Daemons of Mankind</cite><span style="font-size: 85%;"><br />—from <a href="http://crowleycrow.livejournal.com/">John Crowley</a>'s <a href="http://en.wikipedia.org/wiki/Aegypt"><cite>Aegypt</cite> cycle</a></span><br />
<br />
<b>SCABIUS, Peter</b>:<br />
<blockquote>
<cite>Already Too Late</cite><br />
<cite>Beware of the Dog</cite><br />
<cite>Guilt</cite><br />
<cite>Iniquity</cite><br />
<cite>Night Train to Paris</cite><br />
<cite>The Red and the Blue and the Red</cite><br />
<cite>The Slaughter of the Innoc</cite><cite>ents</cite><br />
<cite>Three Days in Marrakesh</cite><br />
<span style="font-size: 85%;">—from <a href="http://en.wikipedia.org/wiki/William_Boyd_%28writer%29">William Boyd's</a> <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9781400031009"><cite>Any Human Heart</cite></a></span></blockquote>
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<span style="font-weight: bold;">SCHWITTERS</span>, T. Azimuth: <span style="font-style: italic;">Eventualism</span><br />
<span style="font-size: 85%;">—from Steven Soderbergh's film <a href="http://movies.nytimes.com/movie/136312/Schizopolis/overview"><span style="font-style: italic;">Schizopolis</span></a></span><br />
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<b>SEAMAN</b>, Barry: <cite>Eating Ribs with Barry Seaman</cite><br />
<span style="font-size: 85%;">—from Roberto Bolano's <a href="http://semcoop.booksense.com/NASApp/store/Product?s=showproduct&isbn=9780374531553"><cite>2666</cite></a></span><br />
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<span style="font-weight: bold;">SEARCH</span>, Alexander: "A Very Original Dinner" (to be translated by Vicente Guedes)<br />
—from Fernando Pessoa's <span style="font-style: italic;">The Book of Disquiet</span><br />
<br />
<span style="font-weight: bold;">SERENGETI</span>, Chico: <span style="font-style: italic;">Tuna's Not the Only Fish in the Sea!</span><br />
<span style="font-size: 85%;">—from Adam Rapp's <span style="font-style: italic;">The Year of Endless Sorrows</span></span><br />
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<b>SEURAT</b>, Raymond: <span style="font-style: italic;">Toi</span><br />
<span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
<b><br />SFAX</b>, Léopold: <span style="font-style: italic;">Either/Either</span>, <span style="font-style: italic;">The Vicious Spiral</span> (literary criticism)<b><br /></b><span style="font-size: 85%;">—from Gilbert Adair's <span style="font-style: italic;">The Death of the Author</span></span><b><br /><br />SHADBOLD</b>, G.F.H.: <span style="font-style: italic;">Beyond Narcissus</span>, <span style="font-style: italic;">Reticences of Thersites</span> ("published notebooks"); <span style="font-style: italic;">Unweeded Gardens</span> ("the slimmest of slim volumes of verse"), <span style="font-style: italic;">Irregular Conjugation</span> (play); two novels, <span style="font-style: italic;">Trip The Pert Fairies</span> ("mostly conversations in the Peacock tradition") and <span style="font-style: italic;">Thumbs</span> ("described in review as 'experimental')<span style="font-size: 85%;"><b><br /></b>—from Anthony Powell's <span style="font-style: italic;">O, How the Wheel Becomes It!</span></span><br />
<b><br />SHAKESPEARE</b>, Mona: <span style="font-style: italic; font-weight: bold;"></span><span style="font-style: italic;">The Rubber Slipper.</span><br />
<span style="font-size: 85%;">—from <span style="font-style: italic;">The Thin Pink Line</span>, by Lauren Baratz-Logsted</span><b><br />SHAKESPEARE</b>, William: <span style="font-style: italic;">The Prince of Antioch, or An Old Way to New Identity</span> (ed. by Miss Blanche Tray)<span style="font-size: 85%;">—from Nigel Dennis's </span><span style="font-size: 85%; font-style: italic;">Cards of Identity</span><br />
<span style="font-style: italic;">The Tragedy of Arthur </span>(ed. by Arthur Phillips)<span style="font-size: 14px;">—from Arthur Phillips's <i>The Tragedy of Arthur </i></span><br />
<span style="font-size: 14px;"><i><br /></i></span><b>SHEFFIELD</b>, (Professor) Peter: <a href="http://www.thewrap.com/tv/article/stephen-tobolowsky-essay-community-chevy-chase?page=0%2C0"><i>Who Indeed: A Critical Analysis of Television's </i>Who's the Boss?</a>; <i>What WAS Happening: An Analysis of </i>What’s Happening?;<br />
<span style="font-size: 85%;">—from <a href="http://www.imdb.com/title/tt1640864/"><span style="font-style: italic;">Community</span></a> (season 2, ep. 20)</span><br />
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<b><span class="Apple-style-span" style="font-size: small; font-weight: normal;"><span style="font-size: 100%; font-weight: bold;">SHEPHARD, Harrison: </span><span style="font-style: italic;"><span style="font-size: 100%;">Vassels of Majesty <span class="Apple-style-span" style="font-style: normal;">(1945)</span></span></span>—from Barbara Kingsolver's <i>The Lacuna</i></span></b></div>
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<b>SHERMAN</b>, Henry: <i>Accounting for Everything: A Guide to Personal Finance</i><br />
<b><span class="Apple-style-span" style="font-size: 14px; font-weight: normal;">—from Wes Anderson's <i><a href="http://www.criterion.com/current/posts/2406-the-tenenbaums-and-co-in-print">The Royal Tenenbaums</a></i></span></b><br />
<b><i><a href="http://www.criterion.com/current/posts/2406-the-tenenbaums-and-co-in-print"></a></i><span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-size: 14px; font-weight: normal;"><i><br /></i></span></span>SHUCKERLY</b>, Quentin: <span style="font-style: italic;">Athlete's Footman</span> ("the best queer novel since <span style="font-style: italic;">Sea Urchins</span>")<b><br /></b>—from Anthony Powell's <span style="font-style: italic;">Temporary Kings</span><b> </b>(<span style="font-style: italic;">ADTMOT</span>)<b><br /><br />SHRAPNEL, </b>D.M.S.<b>: </b><span style="font-style: italic;">The Pegasus Plan: How To Get the Job You Want, the Respect You Deserve, and the Employees You Need to Succeed for Life</span> ("with an introduction by Whittles Langley, CEO of Ptarmigan Group")<br />
<span style="font-size: 85%;">—from Ed Park's <a href="http://ed-park.com/"><cite>Personal Days</cite></a></span><br />
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<b>SILENT DICTIONARY</b>: <span style="font-style: italic;">Parchment That Knows the Tongue</span><br />
<span style="font-size: 85%;">—from Carrie Olivia Adams's <span style="font-style: italic;">Intervening Absence</span></span><br />
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<b>SILETTE</b>, Jacques: <i>Détection</i></div>
<div>
<span class="Apple-style-span" style="font-size: small;">—from Sara Gran's </span><i><span class="Apple-style-span" style="font-size: small;">Claire DeWitt and the City of the Dead</span></i> and <i>Claire DeWitt and the Bohemian Highway</i></div>
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<br />
<span style="font-weight: bold;">SILLERS</span>: <span style="font-style: italic;">City State and State of City</span> ("had achieved some slight success at a time when works popularising political science and economic theory were beginninng to sell")<br />
<span style="font-size: 85%;">—from Anthony Powell's <span style="font-style: italic;">A Question of Upbringing</span></span><br />
<br />
<b>SINGLEYET</b>, Florence: <span style="font-style: italic;">There Is No Birth</span> ("a book on Spirtualism")<br />
<span style="font-size: 85%;">—from George and Weedon Grossmith's <span style="font-style: italic;">The Diary of a Nobody</span></span><br />
<br />
<b>SINDT</b>: <i>Craven Words</i> ("the introductory study of novelist Roger Craven that he had been commissioned to write by Craven himself")</div>
<div>
<span class="Apple-style-span" style="font-size: small;">—from Brian Evenson's "In the Greenhouse," in <i>Fugue State</i></span></div>
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<b><br /></b></div>
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<b>SINNEL</b>: <cite>The House of Many Roofs</cite><br />
<span style="font-size: 85%;">—from Iain M. Banks's's <cite>Matter</cite></span><br />
<br />
<b>SLURRY</b>, Randall:<cite> Office Politics 101</cite><span style="font-size: 85%;"><br />—from Ed Park's <a href="http://ed-park.com/"><cite>Personal Days</cite></a></span><br />
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<div>
<b>SMUFF<span class="Apple-style-span" style="font-weight: normal;">, Dirk: <i>see Topliss, Ed</i></span></b></div>
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<b><br /></b>
<b>SOLITO</b>, Angel: <span style="font-style: italic;">The Crossing: A Picto-Narra-Graphic Allegory</span><br />
—<span style="font-size: 13.6px;">from Matthew Klam's</span><span style="font-size: 13.6px;"> </span><span style="font-size: 13.6px; font-style: italic;">Who Is Rich?</span><br />
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<br /></div>
<b>(KING) SOLOMON</b>, <span style="font-style: italic;">de Umbris Idærum</span> ("treatise on the shadows cast by our thoughts")<br />
<span style="font-size: 85%;">—in Thomas Browne's <span style="font-style: italic;">Musæum Clausum</span>, from W.G. Sebald's <span style="font-style: italic;">The Rings of Saturn</span></span><br />
<b><br />SONTAG</b>, Louis: <span style="font-style: italic;">Annunciata</span> ("that remarkable cross between a certain kind of wafer and a lollipop")<br />
<span style="font-size: 85%;">—from Vladimir Nabokov's <span style="font-style: italic;">Bend Sinister</span></span><br />
<b><br />SPACEMAN</b>, Leo: <span style="font-style: italic;">The Cigarette Diet</span><br />
—from <span style="font-style: italic;">30 Rock</span> (Season 4, <a href="http://www.hulu.com/watch/103853/30-rock-into-the-crevasse">episode 2</a>)<b><br /><br />SPALLANZANI</b>, Gian Carlo: <span style="font-style: italic;">Idiota</span><span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
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<span class="Apple-style-span" style="font-family: "arial";"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><b>SPARROW</b>, Roberta: <span style="font-style: italic;">The Philosophy of Time Travel</span></span></span><br />
<span class="Apple-style-span" style="font-family: "arial";"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span style="font-style: italic;"></span>—from the film <i>Donnie Darko</i></span></span></div>
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<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;"><br /></span></span>
<b>SPIEGEL</b>, Léonard: <i>Foundation</i>; <i>Hushed Farewells</i><span style="font-style: italic;">; </span><span style="font-style: italic;">Full Stop</span><br />
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<br />
<br />
<span class="Apple-style-span" style="font-size: small;"></span><br />
—<span style="font-size: 13.6px;">from Olivier Assayas's film</span><span style="font-size: 13.6px;"> <i>Non-Fiction</i></span></div>
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<span style="font-size: 13.6px;"><i><br /></i></span></div>
<div>
<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;"><b>STALLINGS</b>, Booth: <i>Anatomy of Terror</i></span></span></div>
<div>
<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;">—from Ross Thomas's <i>Out on the Rim</i></span></span></div>
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<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;"><br /></span></span><b>STARK, </b>Richard: <span style="font-style: italic;">Child Heist</span><br />
<span style="font-size: 85%;">—from Donald E. Westlake's <span style="font-style: italic;">Jimmy the Kid</span></span><br />
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<span style="font-weight: bold;">STEADMAN</span>, Slade: <span style="font-style: italic;">Trespassing</span><br />
—from Paul Theroux's <span style="font-style: italic;">Blinding Light</span><br />
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<b>STEPHENOR</b>, Pinkus: <i>Here Comes the Sun, and It's All Right</i>; <i>I Have to Admit It's Getting Better, a Little Better All the Time</i><br />
—from Shalom Auslander's <i>Hope</i><br />
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<b>STEVENS</b>, Herbert "Odo":<cite> Sad Majors</cite> (war memoir)<br />
<span style="font-size: 85%;">—from Anthony Powell's <cite>A Dance to the Music of Time</cite></span><br />
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<span style="font-weight: bold;">STRONG</span>, Taura: <span style="font-style: italic;">Lances of Glory</span>; <span style="font-style: italic;">Rising Sap</span><br />
<span style="font-size: 85%;">—from Russell Hoban's <span style="font-style: italic;">Turtle Diary</span></span><br />
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<b>SUMERFIELD</b>, Bruce, M.D.: <i>The Me and God Diet</i><br />
—from John Hindeman's <i>The Answer Man</i><br />
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<b>SUNDAYS</b>: <span style="font-style: italic;">When the Week Is Spent</span><br />
<span style="font-size: 85%;">—from Carrie Olivia Adams's <span style="font-style: italic;">Intervening Absence</span></span><br />
<span style="font-size: 85%;"><span style="font-size: 100%;"><i><br /></i><span style="font-weight: bold;"><span class="Apple-style-span" style="font-size: small;">SWENSON</span></span><span class="Apple-style-span" style="font-size: small;">, Ted: </span><span style="font-style: italic;"><span class="Apple-style-span" style="font-size: small;">Blue Angel</span></span><span class="Apple-style-span" style="font-size: small;">, </span><span style="font-style: italic;"><span class="Apple-style-span" style="font-size: small;">The Black and the Black</span></span><span class="Apple-style-span" style="font-size: small;"><br /></span><span style="font-size: 85%;">—from Francine Prose's <span style="font-style: italic;">Blue Angel</span></span></span></span></div>
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Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com18tag:blogger.com,1999:blog-732670410210711961.post-1293527827646355632008-08-17T09:50:00.000-07:002019-02-06T15:06:34.154-08:00T<span style="font-weight: bold;">TALBOT</span>, Fleur:<i> Warrender Chase</i>
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<span style="font-size: 85%;">—from Muriel Spark's <i>Loitering With Intent</i>
</span><span style="font-weight: bold;">
</span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">TARSLAW</span>, Pete: <a href="http://www.thetornadoashesclub.com/index.html"><span style="font-style: italic;">The Tornado Ashes Club</span></a>
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<span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist</span></span>
<span style="font-weight: bold;">
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<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">TAYBACK</span>, F.L. ("Four Leaf"): <span style="font-style: italic;">Tropic Thunder</span><span style="font-weight: bold;">
</span><span style="font-size: 85%;">—from the Ben Stiller film <a href="http://www.imdb.com/title/tt0942385/"><span style="font-style: italic;">Tropic Thunder</span></a></span>
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<span style="font-weight: bold;">TENENBAUM</span>, Etheline: <span style="font-style: italic;">Family of Geniuses</span>
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<span style="font-size: 85%;">—from the Wes Anderson film <span style="font-style: italic;">The Royal Tenenbaums</span></span>
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<span style="font-size: 85%;"><span style="font-style: italic;"><br /></span></span><b>
TENENBAUM</b>, Margot: <i>Three Plays</i> (<i>Erotic Transference</i>, <i>Nakedness Tonight</i>, <i>Static Electricity</i>)<br />
<span class="Apple-style-span" style="font-size: 14px;">—from Wes Anderson's</span><span class="Apple-style-span" style="font-size: 14px;"> </span><span class="Apple-style-span" style="font-size: 14px;"><i><a href="http://www.criterion.com/current/posts/2406-the-tenenbaums-and-co-in-print">The Royal Tenenbaums</a></i></span><br />
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<div>
<b>THAINE</b>, Tyrus: <i>The Roumanian</i></div>
<div>
<span class="Apple-style-span" style="font-size: small;">—from Maxwell Bodenheim's </span><i><span class="Apple-style-span" style="font-size: small;"><a href="http://chiseler.org/post/9834524935/new-york-madness">New York Madness</a></span></i><span class="Apple-style-span" style="font-size: small;">
</span><br />
<div>
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<span style="font-weight: bold;">THOMAX</span>, Maester: <i>Dragonkin, Being a History of House Targaryen from Exile to Apotheosis, with a Consideration of the Life and Death of Dragons</i><span style="font-size: 14px;"><br />—from George R. R. Martin's <span style="font-style: italic;">A Feast for Crows</span></span><br />
<span style="font-size: 14px;"><span style="font-style: italic;"><br /></span></span>
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<div>
<span style="font-weight: bold;">THORPE</span>, Carey: <i>Author and Auteur: Dynamism and Domination in Film<span class="Apple-style-span" style="font-style: normal;">, </span><span class="Apple-style-span">The Mob at the Movies: Down from Rico to Puzo</span></i>
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<span style="font-size: 14px;">—from Donald E. Westlake's "A Travesty," collected in <span style="font-style: italic;">Enough</span></span><br />
<span style="font-size: 14px;"><span style="font-style: italic;"><br /></span></span></div>
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<span class="Apple-style-span" style="font-size: 14px;"><i>
</i></span><span style="font-weight: bold;">THOSS</span>, Dr. Raymond: <span style="font-style: italic;">Winter Solstice: The Longest Night of a Society</span>; "The Last Feast of Harlequin"
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<span style="font-size: 85%;">—from Thomas Ligotti, "The Last Feast of Harlequin"
</span>
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<b><br /></b>
<b>THREAD SOUND</b>: <span style="font-style: italic;">What Is Beneath</span>
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<span style="font-size: 85%;">—from Carrie Olivia Adams's <span style="font-style: italic;">Intervening Absence</span></span>
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<span style="font-weight: bold;">THURING</span>, Mary Elizabeth: <span style="font-style: italic;">Coarse-Cut Marmalade Enema Binge</span> (opens with the erotic sonnet "The Wilted Crudités")
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<span style="font-size: 85%;">—from Mark Leyner's <span style="font-style: italic;">Et Tu, Babe</span></span>
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<b>TIPTON</b>, Virginia: <i>The Light of Seven Matchsticks</i><br />
<span class="Apple-style-span" style="font-size: x-small;">—from Wes Anderson's film </span><i><span class="Apple-style-span" style="font-size: x-small;"><a href="http://insidemovies.ew.com/2012/06/07/moonrise-kingdom-animation/">Moonrise Kingdom</a></span></i><br />
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<b>TOD, Theodora:</b> <i>Princess, Princess</i><br />
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<span class="Apple-style-span" style="font-size: small;">—from Gary Walkow's <i>Crashing</i>
</span><br />
<div>
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<b>TOLLIVER, Orson Card:</b> <i>The Accidental Chrononaut</i>; <i>Little Lost Lamb, Who Made Thee?</i>; <i>Timecode: Omega</i><br />
<div>
<span class="Apple-style-span" style="font-size: small;">—from John Wray's <i>The Lost Time Accidents</i></span></div>
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<span style="font-weight: bold;">"TOMCAT MURR"</span>: <i>Thought and Intuition, or, Cat and Dog </i>(a "philosophical and didactic novel of sentiment"), <i>Mousetraps and their Influence on the Character and Achievement of the Feline Race</i> (political work), <i>Cawdallor, King of Rats </i>(tragedy)
<br />
<span style="font-size: 85%;">—from E.T.A. Hoffmann's <i>The Life and Opinions of Tomcat Murr</i></span>
</div>
<span style="font-weight: bold;"></span><br />
<div>
<span style="font-weight: bold;"><span style="font-weight: bold;">
</span></span></div>
<span style="font-weight: bold;">TOPLISS</span>, Ed: <i>Beachcomber Sin<span class="Apple-style-span" style="font-style: normal;">, </span>Escape to Lust</i>, <i>Passion's Prisoner</i>, <span style="font-style: italic;">Raving Passion</span>, <i>Summer Sex </i>(all written as Dirk Smuff)
<br />
<span style="font-size: 14px;">—from Donald E. Westlake's <span style="font-style: italic;">Adios, Scheherazade: A Serious Comedy</span></span>
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<div>
<br /></div>
<div>
<span style="font-weight: bold;">TOPSIUS</span>, Dr. (first name unknown): <span style="font-style: italic;">An Annotated Walk Around Jerusalem</span>
<br />
<span style="font-size: 85%;">—from José Maria de Eça de Queiroz's <a href="http://pt.wikipedia.org/wiki/A_Rel%C3%ADquia"><span style="font-style: italic;">The Relic</span></a></span>
<br />
<br />
<span style="font-weight: bold;">TRALPIS, Ashley, M.D., Ph.D.</span>: <span style="font-style: italic;">Feeling GREAT!</span>
<br />
<span style="font-size: 85%;">—from Jonathan Franzen's <span style="font-style: italic;">The Corrections</span></span>
<br />
<br />
<b>TRAPNEL</b>, X. (Frances Xavier):<cite> Bin Ends,</cite><cite> Camel Ride to the Tomb</cite><cite>, Dogs Have No Uncles</cite><cite>, Profiles in String</cite><span style="font-size: 85%;">
<br />—from <a href="http://en.wikipedia.org/wiki/Anthony_Powell">Anthony Powell</a>'s <a href="http://semcoop.booksense.com/NASApp/store/Search?s=results&initiate=yes&ks=q&qsselect=KQ&title=&author=&qstext=powell+dance+to+the+music+of+time&x=0&y=0"><span style="font-style: italic;">A Dance to the Music of Time</span></a></span><span style="font-weight: bold;">
<br />
<br />TS’UI</span>, Pên: <span style="font-style: italic;">The Garden of Forking Paths</span>
<br />
<span style="font-size: 85%;">—from Jorge Luis Borges's "The Garden of Forking Paths"</span>
<br />
<span style="font-size: 85%;"><br /></span>
<span style="font-weight: bold;">
</span><span style="font-weight: bold;">TRIGORIN</span>, Boris Alekseyevich: <span style="font-style: italic;">Days and Nights</span>
<br />
—from Anton Chekhov's <span style="font-style: italic;">The Seagull</span>
<br />
<br />
<span style="font-weight: bold;">TRIPP</span>, Grady: <span style="font-style: italic;">The Land Downstairs</span>
<br />
<span style="font-size: 85%;">—from Michael Chabon's </span><span style="font-size: 85%; font-style: italic;">Wonder Boys</span>
<br />
<span style="font-weight: bold;">
<br />TROUT</span>, Kilgore:<br />
<span style="font-style: italic;"><br /></span>
<span style="font-style: italic;">2BRO2B </span>(featuring "an America in which almost all of the work was done by machiens, and the only people who could get work had three or more Ph.D.'s. There was a serious overpopulation problem, too)<br />
<span style="font-style: italic;">Pan-Galactic Three-Day Pass </span>("It was an exciting story, all about a man who was serving on a sort of Space-Age Lewis and Clark expedition.")<br />
<i>Venus on the Half-Shell</i><br />
<i>The Son of Jimmy Valentine</i><br />
<i>Pan-Galactic Three-Day Pass</i><br />
<i>How You Doin'?</i><br />
<i></i><i>The First District Court of Thank You</i>; <i>Oh Say Can You Smell?</i>; <i>The Gospel From Outer Space</i>; <i>The Gutless Wonder</i>; <i>Maniacs in the Fourth Dimension</i><br />
<i></i><i>The Big Board</i><br />
<i>The Pan-Galactic Memory Bank</i><br />
<i>Plague on Wheels</i><br />
<i>Pan-Galactic Straw Boss</i><br />
<i>The Smart Bunny</i><br />
<i>Now It Can Be Told</i><br />
<i>Sf-1, A Selective Bibliography</i><br />
<span style="font-size: 85%;"><br /></span>
<span style="font-size: 85%;">—first two titles from Kurt Vonnegut's </span><span style="font-size: 85%; font-style: italic;">God Bless You, Mr. Rosewater</span><span style="font-size: 85%;">; remainder of the bibliography from "Kilgore Trout" (Philip José Farmer)'s <i>Venus on the Half-Shell</i></span><br />
<br />
<span style="font-weight: bold;">TROUT</span>, Theodore: "The Vilzar Matter," in <span style="font-style: italic;">nebulous 5</span>
<br />
<span style="font-size: 85%;">—from Chris Ware's <span style="font-style: italic;">Acme Novelty Library </span>(Vol. 19)</span>
<br />
<br />
<span style="font-weight: bold;">TUGGS, Leon</span><span style="font-weight: bold;">: </span><span style="font-family: Cambria; font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">General Theory of Industrial Sex </span><span style="font-family: Cambria; font-size: 12pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">(</span><span style="font-family: Cambria; font-size: 12pt; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">“which posits . . . that civilization is based on the male piston and the female cylinder, the male bolt and the female nut"); <i>General Theory of Mobility</i></span><br />
<span style="font-weight: bold;"></span><br />
<span style="font-size: 13.600000381469727px;">—from Stanley Crawford's <i>Petroleum Man</i></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">TULA</span>, N'Gome: <span style="font-style: italic;">Dreaming of Buck Owens</span> ("A memoir by the Nigerian human rights activist about his time as a diamond miner and his love of American culture")
<br />
<span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist</span></span>
<br />
<br />
<span style="font-weight: bold;">TULAFALE</span>, Stanley: <span style="font-style: italic;">Cooking the Captain: The Colonialist as Yorkshire Pudding</span>
<br />
<span style="font-size: 85%;">—from James Hynes's </span><span style="font-size: 85%; font-style: italic;">Publish and Perish
<br />
</span><b><br /></b><br />
<b>TULIPS THAT WOULD BE ON THE TABLE</b>: <span style="font-style: italic;">The Inside Before Unfurling</span>
<br />
<span style="font-size: 85%;">—from Carrie Olivia Adams's <span style="font-style: italic;">Intervening Absence</span></span><span style="font-size: 85%; font-style: italic;">
<br />
</span><span style="font-weight: bold;"><br /></span><br />
<span style="font-weight: bold;">TULL</span>, Richard: <span style="font-style: italic;">Dreams Don't Mean Anything</span>, <span style="font-style: italic;">Untitled</span>, <span style="font-style: italic;">The History of Increasing Humiliation</span> (nonfiction)
<br />
<span style="font-size: 85%;">—from Martin Amis's </span><span style="font-size: 85%; font-style: italic;">The Information</span>
<br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">TUMKIN, </span><span style="font-weight: bold;">Brian</span>: <i>Arthur the Anteater</i><br />
<span style="font-size: 13.6px;">—from Judy Blume's </span><i style="font-size: 13.6px;">Superfudge</i><span style="font-weight: bold;"></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">TURGIDITI</span>, Ivan: <i>Wet Socks</i><br />
<span style="font-size: 13.333333969116211px;">—from Michael Moorcock's "Pale Roses"</span><br />
<span style="font-size: 13.333333969116211px;"><span style="font-style: italic;"><br /></span></span>
<span style="font-weight: bold;">TURNER</span>, Ethan: <i>The Solitude of Trees, My Wild Animal Heart</i>, <i>Storm</i> (unpublished), <i>Wolf Trials</i> (unpublished); <i>Centaur Boy</i><br />
<span style="font-size: 13.333333969116211px;">—from <i>Friends From College</i></span><br />
<div style="color: #454545; font-stretch: normal; line-height: normal;">
<br /></div>
<span style="font-weight: bold;">TUTTLE</span>, Benoit: "Of All the Skies That Weep," in <span style="font-style: italic;">nebulous 5</span>
<br />
<span style="font-size: 85%;">—from Chris Ware's <span style="font-style: italic;">Acme Novelty Library </span>(Vol. 19)</span>
<br />
<br />
<span style="font-weight: bold;">TYRELL</span>, Cecil: <span style="font-style: italic;">Orange Steel</span> ("It's supposed to be very difficult, what's the word, inaccessible.")
<br />
<span style="font-size: 85%;">—from Gilbert Sorrentino's </span><span style="font-size: 85%; font-style: italic;">Odd Number</span></div>
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Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com5tag:blogger.com,1999:blog-732670410210711961.post-75135804848416529602008-08-17T09:49:00.000-07:002014-02-04T18:49:42.631-08:00U<span style="font-weight: bold;">UNDT,</span> F.: <span style="font-style: italic;">Decrepitude I</span>, <span style="font-style: italic;">Decrepitude II</span>, <span style="font-style: italic;">Decrepitude III</span> (books); "Compensation for Unlawaful Arrest," "The Judged and the Condemned" (articles); "Body and Chaos" (essay)<br />
<span style="font-size: 85%;">—from Thomas Bernhardt's <span style="font-style: italic;">Playing Watten</span></span><br />
<br />
<div>
<span style="font-weight: bold;">UNKNOWN</span>: <i>300 Years of Halitosis </i>(Peacock Press)<span style="font-style: italic;"><br /></span><span style="font-size: 14px;">—from Jonathan Coe's <i>The Winshaw Legacy: What a Carve-Up!</i></span></div>
<div>
<br />
<span style="font-weight: bold;">UNKNOWN</span>: <i>The Book of Holy Prayer</i><br />
<span style="font-size: 14px;">—from George R. R. Martin's <i>A Song of Ice and Fire</i></span><br />
<br />
<span style="font-weight: bold;">UNKNOWN</span>: <span style="font-style: italic;">The Book of Next Lines</span>,<span style="font-style: italic;"> A Lexicon of Cadence</span>,<span style="font-style: italic;"> Metaphor Conversion Tables</span>,<span style="font-style: italic;"> Rare and Unused Images</span><br />
<span style="font-size: 85%;">—from Don Paterson's <span style="font-style: italic;">Best Thought, Worst Thought</span></span><br />
<span style="font-size: 85%;"><br /><span style="font-size: 100%;"><span style="font-weight: bold;">UNKNOWN:</span> <span style="font-style: italic;">The Fiend of the Second Floor Flat</span>, <span style="font-style: italic;">Blood on the Cauliflower</span>, <span style="font-style: italic;">The Case of Ash on My Petticoat</span></span><br />—from the Pat Jackson film <span style="font-style: italic;">What a Carve Up!</span></span></div>
<div>
<span style="font-size: 85%;"><span class="Apple-style-span" style="font-size: 16px;"></span></span><br />
<span style="font-weight: bold;">UNKNOWN</span>: <span style="font-style: italic;">Flung Roses</span>, <span style="font-style: italic;">All Quiet on the Don, Straight Flush</span> ("that robust satire"),<span style="font-style: italic;"> Through Towns and Villages </span>("the book club selection")<br />
<span style="font-size: 14px;">—from Vladimir Nabokov's <span style="font-style: italic;">Bend Sinister</span></span><br />
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<br /></div>
<div>
<span style="font-size: 85%;"><span class="Apple-style-span" style="font-size: 16px;"><span style="font-weight: bold;">UNKNOWN</span>: <i>Great Plumbers of Albania </i>(Peacock Press)<span style="font-style: italic;"><br /></span><span style="font-size: 14px;">—from Jonathan Coe's <i>The Winshaw Legacy: What a Carve-Up!</i></span></span></span></div>
<div>
<span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-size: 14px;"><b><i><span class="Apple-style-span" style="font-weight: normal;"><br /></span></i></b></span></span>
<span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-size: 14px;"><b><i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size: small; font-style: normal;"><span style="font-weight: bold;">UNKNOWN</span></span><span class="Apple-style-span" style="font-size: small; font-style: normal;">: </span><span class="Apple-style-span" style="font-size: small;">How to Stand and Understand Texans: Their Fantasies, Foibles, Folkways, and Fixed Ideas as Seen in Their Own Writings</span></span></i></b></span></span><br />
<i></i><br />
<div>
<div style="margin: 0px;">
<span style="font-size: 14px;"><span class="Apple-style-span" style="font-size: 16px;"><span style="font-size: 14px;"><i style="font-style: normal;">—</i>from Fritz Leiber's <i style="font-style: italic;">A Specter Is Haunting Texas</i></span></span></span></div>
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</div>
<br />
<div>
<b>UNKNOWN</b>: <i>Hiding Your Arms, Hiding Your Anger: Dating Over 35</i></div>
<div>
<span style="font-size: 85%;">—from <i>30 Rock </i></span><span class="Apple-style-span" style="font-size: small;">(season 4, episode 17)</span></div>
<div>
<br />
<span style="font-weight: bold;">UNKNOWN</span>:<span style="font-style: italic;"> King Crap</span><br />
<span style="font-size: 85%;"><span style="font-size: 100%;"><span style="font-size: 85%;">—from Francine Prose's <span style="font-style: italic;">Blue Angel</span></span></span></span><br />
<br /></div>
<div>
<div>
<span style="font-weight: bold;">UNKNOWN</span>: <i>A Life in Packaging--Fragments of an Autobiography, Volume IX--The Styrofoam Years </i>(Peacock Press)<span style="font-style: italic;"><br /></span><span style="font-size: 14px;">—from Jonathan Coe's <i>The Winshaw Legacy: What a Carve-Up!</i></span></div>
</div>
<div>
<span style="font-size: 14px;"><i><br /></i></span>
<span style="font-weight: bold;">UNKNOWN</span>: <i>Moss Off a Rolling Stone</i><br />
<span style="font-size: 14px;"></span><br />
<span style="font-size: 14px;">—from Anthony Powell's <i>Books Do Furnish a Room</i></span></div>
<div>
<span style="font-size: 14px;"><i><br /></i></span></div>
<div>
<span style="font-weight: bold;">UNKNOWN</span>: <span style="font-style: italic;">Murder in the Fog</span><br />
<span style="font-size: 85%;">—from P. G. Wodehouse's <span style="font-style: italic;">Uncle Dynamite</span></span><br />
<br />
<span style="font-weight: bold;">UNKNOWN</span>: <span style="font-style: italic;">Nancy Drew and the Missing House Keys</span>, <span style="font-style: italic;">Nancy Drew and the Mystery of the Eight Pounds</span>, <span style="font-style: italic;">Nancy Drew and the Secret of the Computer</span><br />
<span style="font-size: 85%;">—from Roz Chast's <span style="font-style: italic;">Theories of Everything</span></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">UNKNOWN</span>: The Pnakotic manuscripts<br />
<span style="font-size: 85%;">—from H.P. Lovecraft's "Polaris," et al.</span><br />
<br />
<span style="font-weight: bold;">UNKNOWN</span>: <i>Purged Not in Lethe</i><br />
<span style="font-size: 14px;"></span><br />
<span style="font-size: 14px;"></span><br />
<span style="font-size: 14px;">—from Anthony Powell's <i>Books Do Furnish a Room</i></span><br />
<br />
<span style="font-weight: bold;">UNKNOWN</span>: <span style="font-style: italic;">Rusty Hoover Goes to Peru</span>, <span style="font-style: italic;">Rusty Hoover Goes to Portugal</span>, <span style="font-style: italic;">Rusty Hoover Goes to Law School</span>,<span style="font-style: italic;"> Rusty Hoover Goes to Indiana</span><br />
<span style="font-size: 85%;">–from Mark Leyner's <span style="font-style: italic;">The Tetherballs of Bougainville</span></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">UNKNOWN</span>: <span style="font-style: italic;">Scone Henge</span>, <span style="font-style: italic;">The Polonium 260 Diet</span>, <span style="font-style: italic;">Castor Oil for the Groin</span><br />
<span style="font-size: 85%;">—from Tim Hensley's "Shh!"</span><br />
<br />
<span style="font-weight: bold;"></span>
<span style="font-weight: bold;">UNKNOWN</span>: <i>The Seven-Pointed Star</i><br />
<span style="font-size: 14px;">—from George R. R. Martin's <i>A Song of Ice and Fire</i></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">UNKNOWN</span>: <i>Slow on the Feather</i><br />
<span style="font-size: 14px;"></span><br />
<span style="font-size: 14px;"></span>
<span style="font-size: 14px;">—from Anthony Powell's <i>Books Do Furnish a Room</i></span><br />
<span style="font-size: 14px;"><i><br /></i></span>
<div>
<span style="font-size: 14px;"><div style="font-size: medium;">
<span style="font-weight: bold;">UNKNOWN</span>: <i>A Stockbroker in Sandals</i></div>
<div style="font-size: medium;">
<span style="font-size: 14px;"></span></div>
<div style="font-size: medium;">
<span style="font-size: 14px;">—from Anthony Powell's <i>Books Do Furnish a Room</i></span></div>
<div>
<span style="font-size: 14px;"><i><br /></i></span></div>
</span></div>
<span style="font-weight: bold;">UNKNOWN</span>: <span style="font-style: italic;">Topographical Legend and Location of Food Nooks</span><br />
<span style="font-size: 85%;">—from Ben Marcus's </span><span style="font-style: italic;"><span style="font-size: 85%;">The Age of Wire and String</span></span></div>
</div>
Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com1tag:blogger.com,1999:blog-732670410210711961.post-31631284287148841852008-08-17T09:48:00.001-07:002013-08-28T14:55:33.221-07:00V<span style="font-weight: bold;">VALDON, Richard: </span><i>His Own Image</i>, <i>Never Dream Again</i><br />
<span style="font-weight: bold;"></span><br />
<div>
<span class="Apple-style-span" style="font-size: small;">—from Rex Stout's <i>The Mother Hunt</i></span><br />
<span class="Apple-style-span" style="font-size: small;"><i><br /></i></span></div>
<span style="font-weight: bold;">VAN HOUTEN, Peter: </span><i>An Imperial Affliction</i><br />
<div>
<span class="Apple-style-span" style="font-size: small;">—from John Green's <i>The Fault in Our Stars</i></span><br />
<div>
<div>
<span style="font-weight: bold;"><br /></span></div>
<div>
<span style="font-weight: bold;">VAN ZORN, August:</span> <a href="http://web.archive.org/web/20030404081555/michaelchabon.com/vanzorn_works.html"><span style="font-style: italic;">The Abominations of Plunkettsburg and Other Tales</span></a><span style="font-size: 85%;"><br /></span><span style="font-size: 85%;">—from Michael Chabon's <span style="font-style: italic;">Wonder Boys</span></span></div>
<div>
<span class="Apple-style-span" style="font-size: small;"><i><br /></i></span><span style="font-weight: bold;">VANDELAY, Art:</span> <i>Venetian Blinds</i><br />
—from Seinfeld, <a href="http://www.seinology.com/epguide/29.shtml">Episode 29</a><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">VANE, Harriet</span>: <span style="font-style: italic;">Murder By Degrees</span>, <span style="font-style: italic;">The Fountain-Pen Mystery</span>, <span style="font-style: italic;">Death in the Pot</span>, and <span style="font-style: italic;">Death 'twixt Wind and Water</span>.<br />
<span style="font-size: 85%;">—in Dorothy L. Sayers's <i>Strong Poison</i>, <i>Have His Carcase</i>, and <i>Gaudy Night</i></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">VEREKER</span>, Hugh: <span style="font-style: italic;">The Right of Way</span><br />
<span class="Apple-style-span" style="font-size: small;">—from Henry James's "The Figure in the Carpet"</span><br />
<div>
<br /></div>
<div>
<b>VICE</b>, Oliver: <i>Paradoxes of Self</i>, <i>The Fake</i></div>
<div>
<span class="Apple-style-span" style="font-size: small;">—from Lawrence Douglas's </span><i><a href="http://bookforum.com/inprint/1804/8604"><span class="Apple-style-span" style="font-size: small;">The Vices</span></a></i><span class="Apple-style-span" style="font-size: small;"><br /></span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;">VON JUNZT</span>: <span style="font-style: italic;">Unaussprechlichen Kulten</span> (<span style="font-style: italic;">Nameless Cults</span>)<br />
<span style="font-size: 85%;">—from Robert E. Howard's "The Black Stone" and H.P. Lovecraft's "The Haunter of the Dark" and "The Dreams in the Witch House"</span><br />
<span style="font-size: 85%;"><br /></span>
<span style="font-size: 85%;"><span style="font-size: small; font-weight: bold;">VOTAR</span><span style="font-size: small;">, Colloquo: </span><span style="font-size: small; font-style: italic;">Jade Compendium</span><br />—from George R. R. Mratin's <span style="font-style: italic;">A Feast for Crows</span></span></div>
</div>
</div>
</div>
Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com9tag:blogger.com,1999:blog-732670410210711961.post-18740608025773680042008-08-17T09:47:00.001-07:002013-08-06T17:40:07.451-07:00W<span style="font-weight: bold;">WALLACE,</span> Hyacinth: <i>Bubblegum Bimbos and Assembly-Line Meatballers</i><br />
<span style="font-size: 85%;">—from Megan McCafferty's <a href="http://www.villagevoice.com/content/printVersion/202946"><span style="font-style: italic;">Charmed Thirds</span></a></span><span style="font-weight: bold;"><br /><br />WAYNEWRIGHT</span>, Alastair: <span style="font-style: italic;">Being Inc.</span><span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
<span style="font-size: 85%;"><span style="font-style: italic;"><br /></span></span>
<span style="font-weight: bold;">WASHINGTON<span class="Apple-style-span" style="font-weight: normal;">, John and ALAPIN, Ivan: <i>Mother Earth, Father Space: A Short History of Circumluna</i></span></span><br />
<span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><i></i></span></span><span class="Apple-style-span" style="font-size: x-small;">—from Fritz Leiber's </span><i><span class="Apple-style-span" style="font-size: x-small;">A Specter is Haunting Texas</span></i><br />
<span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><br /></span></span>
<span style="font-weight: bold;">WEAVER</span>, Miriam: <i>The Return of Auntie Lorraine</i><br />
<span class="Apple-style-span" style="font-size: x-small;">—from Wes Anderson's film </span><i><span class="Apple-style-span" style="font-size: x-small;"><a href="http://insidemovies.ew.com/2012/06/07/moonrise-kingdom-animation/">Moonrise Kingdom</a></span></i><br />
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<span style="font-weight: bold;">WEEKLEY</span>, Silas: <span style="font-style: italic;">The Sweat and the Furrow</span><span style="font-weight: bold;"><br /></span><span style="font-size: 85%;">—from Josephine Tey's <span style="font-style: italic;">Daughter of Time</span></span><span style="font-weight: bold;"><br /></span><br />
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<span style="font-weight: bold;">WEISS</span>, Melanie: <span style="font-style: italic;">Bagration Island</span><span style="font-weight: bold;"><br /></span><span style="font-size: 85%;">—from Vladimir Nabokov's <span style="font-style: italic;">Lolita</span></span><span style="font-weight: bold;"><br /><br />WEISS</span>, Stacey (Ph.D.)—<span style="font-style: italic;">Mastering Small Talk</span> (jacket copy: "Do you <span style="font-weight: bold;">fear</span> parties? Are you at a <span style="font-weight: bold;">loss</span> for words? Do your conversations <span style="font-weight: bold;">die</span>?")<br />
<span style="font-size: 85%;">—from Adrian Tomine's "Hawaiian Getaway," in </span><span style="font-size: 85%; font-style: italic;">Summer Blonde</span><br />
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<b>WELLWOOD, </b>Olive:<br />
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<cite>Dark Doings at Blacktowers</cite><br />
<cite>The People in the House in the House </cite> (1901)<br />
<cite>The Shrubbery</cite><br />
<span style="font-size: 85%;">—from A. S. Byatt's <cite>The Children's Book</cite></span></blockquote>
<span style="font-weight: bold;">WEST</span>, Rex: <span style="font-style: italic;">The Mystery of the Pink </span><em>Crayfish</em><em>,</em><em> Murder in Mauve, The Case of the Poisoned Donut, Inspector Biffen Views the Body, Blood Will Tell </em>("A novelette")<em><span style="font-size: 85%;"><br /></span></em><span style="font-size: 85%;">—from P.G. Wodehouse's<span style="font-style: italic;"> </span></span><em><span style="font-size: 85%;">Jeeves and the Feudal Spirit</span></em><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXHaxSG2tpCdmqnRXZOamWHqBC1pSmOJ4I2FOEmtcq2WjjxS9ix3q-q3U2DyB2LxniIS6mnEGHp3vn0U5sxbULZC4YoAz3YBDYCziol2BTrRIkMw9A6Vfn0qUrndnOaoJzSUc9qUqM-_o/s1600-h/book-cedar.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5239030668553212770" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXHaxSG2tpCdmqnRXZOamWHqBC1pSmOJ4I2FOEmtcq2WjjxS9ix3q-q3U2DyB2LxniIS6mnEGHp3vn0U5sxbULZC4YoAz3YBDYCziol2BTrRIkMw9A6Vfn0qUrndnOaoJzSUc9qUqM-_o/s320/book-cedar.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><br />
<span style="font-weight: bold;">WHARFINGER</span>, <span style="font-style: italic;">Richard: The Courier's Tragedy</span><br />
<span style="font-size: 85%;">—from Thomas Pynchon's <span style="font-style: italic;">The Crying of Lot 49</span></span><span style="font-weight: bold;"><br /></span><br />
<span style="font-weight: bold;">WHITE</span> (first name unknown): <span style="font-style: italic;">The Desire of Ages</span><br />
<span style="font-size: 85%;">—from Scott McGhee's film </span><span style="font-style: italic;"><span style="font-size: 85%;">Suture</span></span><br />
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<span style="font-weight: bold;">WIDMERPOOL</span>, Kenneth: <span style="font-style: italic;">Pogrom of Youth</span><span style="font-weight: bold;"><br /></span><span style="font-size: 13.333333969116211px;">—from Anthony Powell's <span style="font-style: italic;">A Dance to the Music of Time</span></span><br />
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<span style="font-weight: bold;">WILSON, William: </span><span style="font-style: italic;">Clam Up</span>, <span style="font-style: italic;"> Good Guy/Bad Guy</span>, <span style="font-style: italic;"> Deceit </span>("A Max Work Mystery"), <span style="font-style: italic;">Undercover</span>,<span style="font-style: italic;"> Dead Man's Tale</span>, <span style="font-style: italic;"> Suicide Squeeze</span><span style="font-weight: bold;"><br /></span><span style="font-size: 85%;">—from Paul Karasik and David Mazzucchelli's graphic-novel adaptation of Paul Auster's <span style="font-style: italic;">City of Glass</span></span><span style="font-weight: bold;"><br /><br />WINTERWADE</span>, Cedric: <span style="font-style: italic;">The Welsons of Omdurman Terrace</span><br />
<span style="font-size: 85%;">—from Anthony Powell's <span style="font-style: italic;">O, How the Wheel Becomes It!</span></span><span style="font-weight: bold;"><br /></span><br />
<span style="font-weight: bold;">WILLOUGHBY</span>, Carey: <span style="font-style: italic;">Baby, It's Cold Outside</span><br />
<span style="font-size: 13.333333969116211px;">—from Malcolm Bradbury's <span style="font-style: italic;">Eating People Is Wrong</span></span><br />
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<span style="font-weight: bold;">WIRZBICKI</span>, James: <span style="font-style: italic;">Empanadas in Worcester</span><br />
<span style="font-size: 85%;">—from Steve Hely's <span style="font-style: italic;">How I Became a Famous Novelist</span></span><br />
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<b>WOMAN WHO RE-READS YOUR LETTERS</b>: <span style="font-style: italic;">Memoirs of a Scab Picker</span><br />
<span style="font-size: 85%;">—from Carrie Olivia Adams's <span style="font-style: italic;">Intervening Absence</span><br /><br /><span style="font-size: 100%;"><span style="font-weight: bold;">WORTHINGTON, Brian</span>: <span style="font-style: italic;">Adventures in the Electromagnetic Spectrum</span></span><br />—from the Zachary Adler film <span style="font-style: italic;">Familiar Strangers</span></span><span style="font-weight: bold;"><br /></span><br />
<span style="font-weight: bold;">"THE WRITER"</span>: <span style="font-style: italic;">The Book of the Grotesque</span><br />
<span style="font-size: 85%;">—from Sherwood Anderson's <span style="font-style: italic;">Winesburg, Ohio</span></span><br />
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<span style="font-weight: bold;">WURSUP</span>, Frederick: <span style="font-style: italic;">Down the American Drain</span><br />
<span style="font-size: 85%;">—from Richard Stern's </span><span style="font-size: 85%; font-style: italic;">Natural Shocks</span>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com11tag:blogger.com,1999:blog-732670410210711961.post-13409788746627737602008-08-17T09:46:00.000-07:002018-05-31T08:46:34.959-07:00X-Y-Z<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRwvHji_XvkFQJtbVHoqh-_mNu0g7_XYK5NZU41dmUoKovoTL3b0Q87y4sOy9D6-P-QrI2tCYb3yf53AzFVmclwbzpNFV41XqC4eVrWm0bRtGjEDY7eQywPselQyLQ6GS4Z0TeSu3LvVE/s1600-h/0.2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5352091178230175714" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRwvHji_XvkFQJtbVHoqh-_mNu0g7_XYK5NZU41dmUoKovoTL3b0Q87y4sOy9D6-P-QrI2tCYb3yf53AzFVmclwbzpNFV41XqC4eVrWm0bRtGjEDY7eQywPselQyLQ6GS4Z0TeSu3LvVE/s400/0.2.jpg" style="cursor: pointer; display: block; height: 300px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
<span style="font-weight: bold;">ZABALETA</span>, Curzio: <span style="font-style: italic;">Neck in a Noose</span><br />
<span style="font-size: 85%;">—from Roberto Bolano's <span style="font-style: italic;">Nazi Literature in the Americas<br /></span></span><span style="font-weight: bold;">ZELLABY, </span>Gordon:<br />
<blockquote>
<cite>The British Twilight</cite><br />
<cite>While We Last</cite><br />
<span style="font-size: 85%;">—from <a href="http://en.wikipedia.org/wiki/John_Wyndham">John Wyndham</a>'s <span style="font-style: italic;"><a href="http://www.bookdepository.co.uk/WEBSITE/WWW/WEBPAGES/showbook.php?id=0141033010">The Midwich Cuckoos</a></span></span></blockquote>
<span style="font-weight: bold;">ZELLERMAN</span>, Alfred: <span style="font-style: italic;">Gruppenführer Louis XVI</span><br />
<span style="font-size: 85%;">—from Stanislaw Lem's <span style="font-style: italic;">A Perfect Vacuum</span></span><br />
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<span style="font-weight: bold;">ZUCKERMAN</span>, Nathan: "Higher Education," <span style="font-style: italic;">Carnovsky</span><br />
<span style="font-size: 85%;">—from Philip Roth's <span style="font-style: italic;">The Ghost Writer</span> and <i>Zuckerman Unbound</i><span style="font-style: italic;"><br /></span></span>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.comtag:blogger.com,1999:blog-732670410210711961.post-66729809876923463342007-08-16T10:09:00.000-07:002009-07-28T07:03:06.191-07:00NEWS AND OTHER LINKSInvisible Librarian Ed on "Titles Within a Tale," in the <a href="http://www.nytimes.com/2009/07/26/books/review/Park-t.html?_r=1"><span style="font-style: italic;">New York Times Book Review</span></a>.<br /><br /><div style="text-align: center;">* * *<br /></div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM-Pq_IfLu_pO-TPpKMwUyEPW7rYyA_LR8m1ITBbDmGuxvhENXgrXrZtQfZSTH9z13wiAOJTn4sv86_oC15elTAH7EuuP-TbN_kmlOieMLwOEovuN75JUxUbT2SGx4_7iir1od1wZFdWc/s1600-h/-1.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 283px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM-Pq_IfLu_pO-TPpKMwUyEPW7rYyA_LR8m1ITBbDmGuxvhENXgrXrZtQfZSTH9z13wiAOJTn4sv86_oC15elTAH7EuuP-TbN_kmlOieMLwOEovuN75JUxUbT2SGx4_7iir1od1wZFdWc/s400/-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5345007274792345490" border="0" /></a> <a href="http://www.inkillustration.com/invisiblelibrary.htm">INVISIBLE LIBRARY EXHBITION</a><div class="picright"> <p>13th JUNE - 12th JULY [2009—closed]</p> <p>---------------------------------</p> <p>Illustration collective INK and Literary foundation <a href="http://www.realfits.org.uk/">Real Fits</a> take residency at the <a href="http://tenderpixel.com/exhibitions.html">Tenderpixel Gallery</a> for a month of unique events, construction of a hidden library filled with books that have been alluded to in novels by published writers but have never actually existed... until now. Once selected and written, the hidden novels will have their covers illustrated by INK. The Invisible Library will ask best selling writers Iain Sinclair and Saci Lloyd, cultural and musical figures, to be announced, and gallery attendees to write the opening or closing page of a 'hidden novel.'<br /></p><p><br /></p><p><br /></p> <p>---------------------------------</p><p>For a full program of events, press release and further details visit <a href="http://www.inkillustration.com/invisiblelibrary.htm">here</a>.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh43g4C3_-kyqXyZryBZw_BceGL2w-dsKXmQKtnLH84YGdXTVrecwWtghZi8j8_9dUc1QQVmevz9VUA0rzc6XQ3otZMMVexBGb_N7nTypjjnSrBaCdzzdtMzoklhnRpeFYm0JhNJwuxPAc/s1600-h/0.1.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh43g4C3_-kyqXyZryBZw_BceGL2w-dsKXmQKtnLH84YGdXTVrecwWtghZi8j8_9dUc1QQVmevz9VUA0rzc6XQ3otZMMVexBGb_N7nTypjjnSrBaCdzzdtMzoklhnRpeFYm0JhNJwuxPAc/s400/0.1.jpg" alt="" id="BLOGGER_PHOTO_ID_5352090752051868210" border="0" /></a>Some more photos can be found <a href="http://www.inkillustration.blogspot.com/">here</a>.</p><p style="text-align: center;">* * *</p><p>Taking down the Invisible Library exhibit:<br /></p><p></p></div><br /><br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/xLpD4n8LbaY&hl=en&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/xLpD4n8LbaY&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"></embed></object>Ed Parkhttp://www.blogger.com/profile/06968478096142741974noreply@blogger.com3